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- Previsualization heresy
- Using in-camera histograms for ETTR
- 01. Acknowledgments
- 02. Why ETTR?
- 03. Normal in-camera histograms
- 04. Image processing for in-camera histograms
- 05. Making the in-camera histogram closely represent the raw histogram
- 06. Shortcuts to UniWB
- 07. Preparing for monitor-based UniWB
- 08. A one-step UniWB procedure
- 09. The math behind the one-step method
- 10. Iteration using Newton’s Method
- Who am I?
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Pages
- About
- How to change email providers
- Patents and papers about color
- Previsualization heresy
- Using in-camera histograms for ETTR
- 01. Acknowledgments
- 02. Why ETTR?
- 03. Normal in-camera histograms
- 04. Image processing for in-camera histograms
- 05. Making the in-camera histogram closely represent the raw histogram
- 06. Shortcuts to UniWB
- 07. Preparing for monitor-based UniWB
- 08. A one-step UniWB procedure
- 09. The math behind the one-step method
- 10. Iteration using Newton’s Method
- Who am I?
Author Archives: Jim
Wagging the dog, again
There’s an oft-told line about how the Apple II made its way into businesses in the late 1970s and early 1980s. Thousands of businessmen walked into computer stores and said. “Sell me a copy of Visicalc and something to run … Continue reading
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Processing raw B&W infrared images
For the couple of weeks, I have been spending way too much time trying to develop a way to demosaic infrared raw files without interpolation. My reasoning is that, with a deep IR filter in front of the sensor, that … Continue reading
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CPA Raw Processing Panel
Here are a few pictures from yesterday’s Raw Processing Panel, put on by the Center for Photographic Art. I had a great time, and learned a lot. Thanks to Rex Naden for organizing and moderating the panel, and to my … Continue reading
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Lightroom and Photoshop Exposure controls, Part 7
I was unable to figure out why Lightroom is boosting the brightness and chroma of 32-bit floating point TIFFs imported into it, so I reluctantly decided to use the correctly-exposed synthetic image with the minus one-stop Lightroom Exposure adjustment as … Continue reading
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Lightroom and Photoshop Exposure controls, Part 6
Eric Chan has informed me that there are two image-processing pipelines in Lightroom: output-referred, and scene-referred. Raw files get the scene-referred pipeline. Integer TIFFs get the output-referred pipeline. Therefore, all my TIFF test images were getting a different set of … Continue reading
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Lightroom and Photoshop Exposure controls, Part 5
[Added after the original post. Eric Chan has informed me that there are two image-processing pipelines in Lightroom: output-referred, and scene-referred. Raw files get the scene-referred pipeline. Integer TIFFs get the output-referred pipeline. Therefore, the TIFF test images are getting … Continue reading
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Lightroom and Photoshop Exposure controls, part 4
[Added after the original post. Eric Chan has informed me that there are two image-processing pipelines in Lightroom: output-referred, and scene-referred. Raw files get the scene-referred pipeline. Integer TIFFs get the output-referred pipeline. Therefore, the TIFF test images are getting … Continue reading
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Lightroom and Photoshop Exposure controls, part 3
[Added after the original post. Eric Chan has informed me that there are two image-processing pipelines in Lightroom: output-referred, and scene-referred. Raw files get the scene-referred pipeline. Integer TIFFs get the output-referred pipeline. Therefore, the TIFF test images are getting … Continue reading
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Lightroom and Photoshop Exposure controls, part 2
[Added after the original post. Eric Chan has informed me that there are two image-processing pipelines in Lightroom: output-referred, and scene-referred. Raw files get the scene-referred pipeline. Integer TIFFs get the output-referred pipeline. Therefore, the TIFF test images are getting … Continue reading
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Lightroom and Photoshop Exposure controls
This may be old news to many of you, but I just stumbled on to it and nailed it down. The new(ish) Lightroom exposure control (Process Version 2012) works differently than the Exposure adjustment layer in Photoshop CS 6. While … Continue reading
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