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- Patents and papers about color
- Previsualization heresy
- Using in-camera histograms for ETTR
- 01. Acknowledgments
- 02. Why ETTR?
- 03. Normal in-camera histograms
- 04. Image processing for in-camera histograms
- 05. Making the in-camera histogram closely represent the raw histogram
- 06. Shortcuts to UniWB
- 07. Preparing for monitor-based UniWB
- 08. A one-step UniWB procedure
- 09. The math behind the one-step method
- 10. Iteration using Newton’s Method
- Who am I?
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Categories
Pages
- About
- How to change email providers
- Patents and papers about color
- Previsualization heresy
- Using in-camera histograms for ETTR
- 01. Acknowledgments
- 02. Why ETTR?
- 03. Normal in-camera histograms
- 04. Image processing for in-camera histograms
- 05. Making the in-camera histogram closely represent the raw histogram
- 06. Shortcuts to UniWB
- 07. Preparing for monitor-based UniWB
- 08. A one-step UniWB procedure
- 09. The math behind the one-step method
- 10. Iteration using Newton’s Method
- Who am I?
Author Archives: Jim
Lightroom and Photoshop Exposure controls
This may be old news to many of you, but I just stumbled on to it and nailed it down. The new(ish) Lightroom exposure control (Process Version 2012) works differently than the Exposure adjustment layer in Photoshop CS 6. While … Continue reading
Posted in The Last Word
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A presentation on digital capture
In about two weeks, I’ll be participating in a workshop on raw processing. The workshop, sponsored by the Center for Photographic Art in Carmel, brings together three developers of raw developing software (Eric Chan from Adobe, Brian Griffith from Irident … Continue reading
Posted in The Last Word
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Sony RX-1 stealth option
From the mailbag: I really like the Stealth option on the Sony RX1. How did you get that look on the RX1? This may sound ignorant but did you cover all the front white labeling with a Sharpie or something … Continue reading
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Low-signal histograms at various ISOs — summary
The Nikon D4 uses all 14 of its bits all the time except for those lost to digital white balance. The Nikon D800E is at 14-bit device with all codes present except for those lost to digital white balance until … Continue reading
Posted in The Last Word
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Low-signal histograms at various ISOs — Sony NEX-7
At ISO 100, it looks like the NEX-7 has a 12-bit ADC: At ISO 200, more noise: at ISO 400 still more noise. Note that we’ve not seen the bucket at 32 counts occupied in one of the histograms so … Continue reading
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Low-signal histograms at various ISOs — Sony RX-1
At ISO 100, there’s a big surprise; the 14th bit is AWOL: At ISO 200, pretty musc the same thing with a bit more noise. The odd dip to the left of the mean of both green channels is curious: … Continue reading
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Low-signal histograms at various ISOs — Nikon D800E
At ISO 100, the D800E shows all codes in use except for the red and blue channel WB digital gain dropouts: At ISO 200 there are no surprises: At ISO 400, just some more noise. You can see that the … Continue reading
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Low-signal histograms at various ISOs — Nikon D4
At ISO 100, the D4 gives the kind of histogram you’d expect (I’m pretty sure the gaps in the red and blue histograms are due to digital white balance after the ADC: At ISO 200, there are also no surprises: … Continue reading
Posted in The Bleeding Edge, The Last Word
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Low-signal histograms at various ISOs
Rather than use dark noise as a stimulus as in the preceding post, I have made a series of measurements of the histograms of the Nikon D4 and D800E, and the Sony RX-1 and NEX-7 when presented with a featureless … Continue reading
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Combed histograms
I started a thread on Luminous Landscape about computing unity gain ISO from a single exposure, and it’s gotten pretty interesting. There have been useful discussions about what good knowing the Unity Gain ISO is in picture-making. One of the … Continue reading
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