Monthly Archives: July 2012

I’ve written before about getting to a point in a project where the very images that got me so excited in the beginning now look cheap to me. I used to dread that stage, but now I know it means … Continue reading →

It’s not fair of me to criticize what Tillman Crane had to say to digital photographers who are thinking about trying the chemical world without saying what I’d say. So here goes, without the space limitations that encumbered Crane. As … Continue reading →

The current issue of photo technique has an article by Tillman Crane with incredible scope: it’s an overview of black-and-white film for people who have never used it, but who’ve come to photography via digital routes. While I could quibble … Continue reading →

Yesterday I had three visitors: the two curators of the CPA In Motion Exhibition and the Champion for the show. The Champion is the manager of an exhibition, and is responsible for making sure everybody knows what they have to … Continue reading →

A week ago, the Center for Photographic Art notified me that I could make an announcement on Facebook, but nowhere else. Yesterday, I got permission to post the information on the wider, less managed, web. So here goes: I will … Continue reading →

The Center for Photographic Art hosted a lecture by Kim Weston, and opened his new exhibition at the Center with a reception. Huntington Witherill curated the show, and Tracy Morrison was the Exhibition Champion, which means she did most of the organization. You … Continue reading →