This is one in a series of posts on the Fujifilm GFX 100S. You should be able to find all the posts about that camera in the Category List on the right sidebar, below the Articles widget. There’s a drop-down menu there that you can use to get to all the posts in this series;… [Read More]
Search Results for: A7R
Sony a7RIV continuous drive mode precision
A reader asked a question about the Sony a7RIV. I have a question for clarification. You use the terms “continuous mode,” “continuous compressed,” and “continuous uncompressed.” When I read the Sony A7Riv instruction manual (p.42) it uses the words “Continuous Shooting” to represent 4 different shooting speeds: “Continuous Shooting: Hi+,” “Continuous Shooting: Hi,” “Continuous Shooting:… [Read More]
Sony, Nikon 20mm f/1.8 OOF bokeh on a7RIV, Z7
There are two pieces to bokeh. The first is what things look like when they are well out of focus (OOF), and the second is how the transition from OOF to in-focus happens. The second is complicated, but the first is very simple. What you see when part of the image is well OOF is… [Read More]
Chromaticity shifts with the a7RIV, Z7, and GFX 100
Yesterday, I reported on test shots of both the Macbeth Colorchecker 24-patch target (the CC24), and the Colorchecker SG 140-patch target (CCSG), made with the following setup: Sony a7RIV, Nikon Z7, Fujifilm GFX 100 Zony 55, Nikon 24-70/2.8 Z-mount lens, Fuji 120 mm f/4 macro Godox/Flashpoint AD600 Pro strobes, set to 1/64 power. 12-inch reflectors… [Read More]
Fuji 50/3.5 on GFX100, Sigma 35/1.2 on a7RIV
It’s a nice still morning, so I thought I’d test the new Fuji 50 mm f/3.5 on some foliage. For comparison, I chose the excellent Sigma 35 mm f/1.2 Art lens on a Sony a7RIV. Here’s the scene: Making three shots for each variation and picking the sharpest, I exposed at base ISO 100… [Read More]
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