• site home
  • blog home
  • galleries
  • contact
  • underwater
  • the bleeding edge

the last word

Photography meets digital computer technology. Photography wins -- most of the time.

You are here: Home / Technical / Printing at 2880/1440 dpi & 720 ppi

Printing at 2880/1440 dpi & 720 ppi

February 7, 2011 JimK Leave a Comment

My previous testing at 2880/1440 dpi didn’t show much more resolution than printing at 1440/720 dpi, but I thought I’d print out the resampling target sampled to 720 ppi with the printer driver set to 2880/1440 dpi to see if the smoothness was improved. I picked the “Finest Detail” option to force resampling to 720 ppi (thanks for the hint, John), so I did all the testing in this post with that option checked.

I first resampled the 240 ppi target to 720 ppi in Photoshop using bicubic interpolation printed at 2880/1440 dpi:

PS720bicubic

The resultant image is quite similar to what I got when I resampled the target to 360 ppi and printed it at 1440/720 dpi. The one-pixel lines are fractionally smoother, but the branches are about the same.

I next used QImage for the resampling to 720 ppi, picking the Hybrid interpolation method with the default sharpening, which is five. Here’s what I got when printed it at 2880/1440 dpi:

QI720Hybrid5

For comparison, here is the same image resampled the same way to 360 ppi, and printed at 2880/1440 dpi:

QI360Hybrid5

The letters are of little sharper at 720 ppi, the lines are somewhat smoother, and the sky is more even, but it’s very close. Some of the tones in the one-pixel lines are too dark in both images.

I performed the same experiment using the Hybrid SE resampling algorithm in QImage. Here it is at 720 ppi, 2880/1440 dpi:

QI720HybridSE5

And here it is at 360 ppi, 1440/720 dpi:

QI360HybridSE5

At 720 ppi the hybrid SE resampling does an amazing job of smoothing the one-pixel lines. However, here’s not much to choose between the photographic parts of the two pictures.

For completeness, here’s what happens when you let Lightroom resample  to 720 ppi, and print it out at 2880/1440 dpi:

LR720

Pretty mushy, with pronounced mottling in the sky.

Conclusions: for real photographic subjects, 720 ppi, 2880/1440 dpi offers only marginal advantage over 360 ppi, 1440/720 dpi printing. If you have artificially generated elements such as text in your photograph, the higher resolution offers a visible advantage, especially if you use QImage’s Hybrid SE mode for the resampling.

Caveats: all of these experiments were performed on the Epson 3880. Other printers could produce different results. All of these experiments were performed using a modest resampling ratio; 1.5:1 in the case of the 360 ppi, 1440/720 tests, and 3:1 in the case of the 720 ppi, 2880/1440 prints. Other ratios could produce different results. I only used one test image. Other images could — you guessed it — produce different results. This last is a fairly serious hurdle. There’s a saying in the computer business: “There are lies, damn lies, and benchmarks.” The test image is a benchmark.

Technical

← Resampling for printing with QImage Resampling for printing – summary →

Leave a Reply Cancel reply

Your email address will not be published. Required fields are marked *

May 2025
S M T W T F S
 123
45678910
11121314151617
18192021222324
25262728293031
« Apr    

Articles

  • About
    • Patents and papers about color
    • Who am I?
  • How to…
    • Backing up photographic images
    • How to change email providers
    • How to shoot slanted edge images for me
  • Lens screening testing
    • Equipment and Software
    • Examples
      • Bad and OK 200-600 at 600
      • Excellent 180-400 zoom
      • Fair 14-30mm zoom
      • Good 100-200 mm MF zoom
      • Good 100-400 zoom
      • Good 100mm lens on P1 P45+
      • Good 120mm MF lens
      • Good 18mm FF lens
      • Good 24-105 mm FF lens
      • Good 24-70 FF zoom
      • Good 35 mm FF lens
      • Good 35-70 MF lens
      • Good 60 mm lens on IQ3-100
      • Good 63 mm MF lens
      • Good 65 mm FF lens
      • Good 85 mm FF lens
      • Good and bad 25mm FF lenses
      • Good zoom at 24 mm
      • Marginal 18mm lens
      • Marginal 35mm FF lens
      • Mildly problematic 55 mm FF lens
      • OK 16-35mm zoom
      • OK 60mm lens on P1 P45+
      • OK Sony 600mm f/4
      • Pretty good 16-35 FF zoom
      • Pretty good 90mm FF lens
      • Problematic 400 mm FF lens
      • Tilted 20 mm f/1.8 FF lens
      • Tilted 30 mm MF lens
      • Tilted 50 mm FF lens
      • Two 15mm FF lenses
    • Found a problem – now what?
    • Goals for this test
    • Minimum target distances
      • MFT
      • APS-C
      • Full frame
      • Small medium format
    • Printable Siemens Star targets
    • Target size on sensor
      • MFT
      • APS-C
      • Full frame
      • Small medium format
    • Test instructions — postproduction
    • Test instructions — reading the images
    • Test instructions – capture
    • Theory of the test
    • What’s wrong with conventional lens screening?
  • Previsualization heresy
  • Privacy Policy
  • Recommended photographic web sites
  • Using in-camera histograms for ETTR
    • Acknowledgments
    • Why ETTR?
    • Normal in-camera histograms
    • Image processing for in-camera histograms
    • Making the in-camera histogram closely represent the raw histogram
    • Shortcuts to UniWB
    • Preparing for monitor-based UniWB
    • A one-step UniWB procedure
    • The math behind the one-step method
    • Iteration using Newton’s Method

Category List

Recent Comments

  • JimK on Calculating reach for wildlife photography
  • Geofrey on Calculating reach for wildlife photography
  • JimK on Calculating reach for wildlife photography
  • Geofrey on Calculating reach for wildlife photography
  • Javier Sanchez on The 16-Bit Fallacy: Why More Isn’t Always Better in Medium Format Cameras
  • Mike MacDonald on Your photograph looks like a painting?
  • Mike MacDonald on Your photograph looks like a painting?
  • bob lozano on The 16-Bit Fallacy: Why More Isn’t Always Better in Medium Format Cameras
  • JimK on Goldilocks and the three flashes
  • DC Wedding Photographer on Goldilocks and the three flashes

Archives

Copyright © 2025 · Daily Dish Pro On Genesis Framework · WordPress · Log in

Unless otherwise noted, all images copyright Jim Kasson.