I’m going to show you something completely unnatural: I love the Batis 135/2.8. I really like the Nikon Z7. But never the twain shall meet, I thought. On Friday, the big brown truck delivered a TechArt Sony E to Nikon Z smart adapter. If you don’t look carefully at the above image, you’ll miss it…. [Read More]
Where’s the GFX 100?
I’ve gotten some questions about when I’ll be starting the GFX 100 review. Unfortunately, I don’t know. I expected the camera at the end of last week, at the time shipping started at the big dealers like B&H, but no such luck. I asked my dealer to tell me what was going on, and he… [Read More]
Nikon 200/2 VRI on Z7, Fuji 250/4 on GFX 50R
This is one in a series of posts on the Fujifilm GFX 50S and 50R. You should be able to find all the posts about that camera in the Category List on the right sidebar, below the Articles widget. There’s a drop-down menu there that you can use to get to all the posts in… [Read More]
Averaging images in Photoshop
Phase One just introduced an update to the IQ4 cameras that allows in-camera capture and averaging of groups of images. If the camera position is fixed, this technique can have the effect of simultaneously: Allowing long exposure times without the need for a neutral density filter. Deceasing the amount of noise in the final image… [Read More]
Is the GFX 100 unfocused?
There are some who are saying that the GFX 100 is trying to be all things to all (medium format) photographers, and suffers for it. That resonates with me. I felt the same way about the D850. The D850 turned out to be a highly popular camera, and has probably made Nikon a bundle of… [Read More]