• site home
  • blog home
  • galleries
  • contact
  • underwater
  • the bleeding edge

the last word

Photography meets digital computer technology. Photography wins -- most of the time.

You are here: Home / The Bleeding Edge / Sony NEX-7 OOBE

Sony NEX-7 OOBE

December 16, 2011 JimK Leave a Comment

When the Sony NEX-7 was announced last summer, I was immediately intrigued. In addition to more resolution – not an unalloyed blessing with an APS-C size sensor – it looked like Sony had completely reworked the NEX-5 controls, adding two thumbwheels in addition to the five position button on the back. I hated the user interface in the NEX-5, and this at least had the potential to be better. The icing on the cake was the electronic finder. I find composing a picture at arm’s length awkward and unstable, and I can’t see the LCD screens on the back of cameras in bright sunlight. The NEX-7 has an organic LED finder. Rangefinder size and convenience coupled with SLR framing and focusing accuracy – sounds great to me.  I ordered one. Sony promised delivery 1 November.

Then came the Thailand floods. 1 November came and went. In the middle of the month I got a note from Sony saying my camera would be late. At the end of last week I got an e-mail saying that it had shipped. It arrived when I was out of town, so today’s the first chance I had to play with it.

Here are my notes upon opening the box, as dictated to Dragon.

The box is a little smaller than a shoebox. There seems to be a sleeve around it but I can’t get it off. Oh yes, I see, there’s a tab to pull out and the sleeve unwraps from the box. Inside there is a nice thick cardboard box – these guys are taking lessons from Apple – with a shiny black cardboard packet on top. Opening the cardboard packet without tearing it is next to impossible; I hope I don’t have to send it back. Inside the packet is a 60+ page pocket-novel-size operating manual, the warranty card, a getting started manual, a list of lenses and accessories, and a CD with application software. Underneath the shiny black cardboard packet is a microfiber cloth covering several compartments, with the camera nestled in a flocked recess, a nice strap for the camera (I had to use an old Canon strap on my NEX-5), a battery charger (the same as the one for the NEX-5), a USB cable, a battery, and an eyecup for the finder.

The eyecup slips easily onto the finder. There’s a tag hanging from the left strap-mounting triangle labeled “TRINAVI XGA OLED” on both sides. I’m not sure what the point is (the finder uses organic light-emitting diodes, and is XGA resolution, and Sony calls its UI TRINAVI, but if you’re looking at the tag, you’ve already bought the camera, and are presumably beyond needing to be sold), but the tag comes off easily. The strap is no harder, and no easier, to install than similar straps on your standard-issue Nikon or Canon SLR’s. There’s a tag stuck to the top of the camera announcing that the camera has an APS-C sensor of 24 megapixels. One end of the tag comes off easily but the other seems to be stuck to the camera. I can’t imagine the sticker is supposed to stay on, so I pull harder and it finally comes off. I put the battery in my old NEX-5 charger and wait for it to charge.

Sony must ship the battery almost completely discharged for safety purposes. It took four hours to charge it. The setup process is very similar to the NEX-5, which is not high praise. I like the menu structure on the Canon and Nikon pro level SLR’s much better. While the menu structure wasn’t much fun to navigate, it was not very confusing either, and it didn’t take me long to set the camera up.

How’s it work? Stay tuned.

 

The Bleeding Edge

← It takes a village Sony NEX-7 OOBE, part 2 →

Leave a Reply Cancel reply

Your email address will not be published. Required fields are marked *

May 2025
S M T W T F S
 123
45678910
11121314151617
18192021222324
25262728293031
« Apr    

Articles

  • About
    • Patents and papers about color
    • Who am I?
  • How to…
    • Backing up photographic images
    • How to change email providers
    • How to shoot slanted edge images for me
  • Lens screening testing
    • Equipment and Software
    • Examples
      • Bad and OK 200-600 at 600
      • Excellent 180-400 zoom
      • Fair 14-30mm zoom
      • Good 100-200 mm MF zoom
      • Good 100-400 zoom
      • Good 100mm lens on P1 P45+
      • Good 120mm MF lens
      • Good 18mm FF lens
      • Good 24-105 mm FF lens
      • Good 24-70 FF zoom
      • Good 35 mm FF lens
      • Good 35-70 MF lens
      • Good 60 mm lens on IQ3-100
      • Good 63 mm MF lens
      • Good 65 mm FF lens
      • Good 85 mm FF lens
      • Good and bad 25mm FF lenses
      • Good zoom at 24 mm
      • Marginal 18mm lens
      • Marginal 35mm FF lens
      • Mildly problematic 55 mm FF lens
      • OK 16-35mm zoom
      • OK 60mm lens on P1 P45+
      • OK Sony 600mm f/4
      • Pretty good 16-35 FF zoom
      • Pretty good 90mm FF lens
      • Problematic 400 mm FF lens
      • Tilted 20 mm f/1.8 FF lens
      • Tilted 30 mm MF lens
      • Tilted 50 mm FF lens
      • Two 15mm FF lenses
    • Found a problem – now what?
    • Goals for this test
    • Minimum target distances
      • MFT
      • APS-C
      • Full frame
      • Small medium format
    • Printable Siemens Star targets
    • Target size on sensor
      • MFT
      • APS-C
      • Full frame
      • Small medium format
    • Test instructions — postproduction
    • Test instructions — reading the images
    • Test instructions – capture
    • Theory of the test
    • What’s wrong with conventional lens screening?
  • Previsualization heresy
  • Privacy Policy
  • Recommended photographic web sites
  • Using in-camera histograms for ETTR
    • Acknowledgments
    • Why ETTR?
    • Normal in-camera histograms
    • Image processing for in-camera histograms
    • Making the in-camera histogram closely represent the raw histogram
    • Shortcuts to UniWB
    • Preparing for monitor-based UniWB
    • A one-step UniWB procedure
    • The math behind the one-step method
    • Iteration using Newton’s Method

Category List

Recent Comments

  • JimK on How Sensor Noise Scales with Exposure Time
  • Štěpán Kaňa on Calculating reach for wildlife photography
  • Štěpán Kaňa on How Sensor Noise Scales with Exposure Time
  • JimK on Calculating reach for wildlife photography
  • Geofrey on Calculating reach for wildlife photography
  • JimK on Calculating reach for wildlife photography
  • Geofrey on Calculating reach for wildlife photography
  • Javier Sanchez on The 16-Bit Fallacy: Why More Isn’t Always Better in Medium Format Cameras
  • Mike MacDonald on Your photograph looks like a painting?
  • Mike MacDonald on Your photograph looks like a painting?

Archives

Copyright © 2025 · Daily Dish Pro On Genesis Framework · WordPress · Log in

Unless otherwise noted, all images copyright Jim Kasson.