In another context, I’ve been asked about the sources of noise in CMOS image sensors. There are several kinds of noise involved: read noise, photon or shot noise, and pixel response nonuniformity (PRNU). This post attempts to give a non-quantitative listing of the sources of read noise. In CMOS image sensors, read noise refers to… [Read More]
Archives for May 2025
Simulating Long Exposures in Photoshop Using Short Exposure Stacks
Long exposures can produce beautifully smoothed water, streaked clouds, and motion blur that adds atmosphere and drama. But shooting long exposures in-camera isn’t always ideal: ND filters may introduce color casts, hot pixels can accumulate, and a gust of wind can ruin a single frame. A practical alternative is to simulate a long exposure by… [Read More]
Using Lightroom Shadow Calibration Locally with Photoshop Layer Masks
Lightroom’s Calibration > Shadows > Tint slider is a powerful—but global—tool. It can help correct black point color casts or apply subtle shadow toning, but what if you want to apply different calibration settings to different parts of the image? One reason to want to do this is that the Lr shadows tint tool affects… [Read More]
Correcting Raw Black Point Errors with Lightroom’s Calibration Panel
Introduction Black point subtraction is a critical but mostly invisible part of RAW file processing. When done correctly, it ensures that the darkest tones in your image are neutral and retain subtle detail. When it’s wrong, shadow tones can become visibly tinted, with green or magenta casts that are especially noticeable when shadows are lifted… [Read More]
The 16-Bit Fallacy: Why More Isn’t Always Better in Medium Format Cameras
I’ve written on this subject before, but I’ve not done a piece that deals with the common counterarguments. Here is one. The Fujifilm GFX 100-series and Hasselblad X2D cameras support 16-bit RAW files. At first glance, this seems like an obvious win: more bits should mean more data, more dynamic range, and more flexibility in… [Read More]