At the CPA, we mentally divide workshops into categories, two of which are “craft” and “artistic development”. Most of the time, we have no difficulty placing a workshop in one category. Gum bichromate printing goes in the craft bucket. So does digital image editing. “Finding your Work” is artistic development. We recently had a discussion… [Read More]
Landscape Light
No, that’s not “Landscape Lite”, as in lo-cal, dumbed-down, mindless eye candy. It’s light, as in easy-on-the-back, footloose-and-fancy-free, spontaneous, fluid, and instinctual. The key is leaving the tripod at home, and restricting your total equipment weight to five pounds or so. On a recent trip to Jackson Hole, I gave it a try. I took… [Read More]
The cellphone’s impact on cameras
In the last post, I talked about the cellphone’s impact on photographic art. In this one, I’ll return to safer ground, and tell you what I think will happen to cameras in the near future. Cameras will become ubiquitous in cellphones. Because thinness is a selling point for cellphones, lens focal length and therefore sensor… [Read More]
Good enough
Recently, I’ve heard photographers decrying the rise of the cellphone camera, complaining that the pictures are terrible. “How can people do that? Don’t they care about quality? They’ll never know what a good photograph is.” It reminds me of the still-active kerfuffle in audiophile-land about music that’s undergone lossy compression – think MP3 and AAC…. [Read More]
Wag the dog part 7
When I started putting Leica lenses on the Sony NEX-5, I assumed that just about any Leica lens was going to be a big step up from the Sony 16mm that comes with the camera (you can also get the camera with the 18-55 mm zoom). I was surprised to find image quality to be… [Read More]
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