[Added after the original post. Eric Chan has informed me that there are two image-processing pipelines in Lightroom: output-referred, and scene-referred. Raw files get the scene-referred pipeline. Integer TIFFs get the output-referred pipeline. Therefore, the TIFF test images are getting a different set of processing than LR applies to raw files.] I can’t just leave… [Read More]
Archives for 2013
Lightroom and Photoshop Exposure controls, part 4
[Added after the original post. Eric Chan has informed me that there are two image-processing pipelines in Lightroom: output-referred, and scene-referred. Raw files get the scene-referred pipeline. Integer TIFFs get the output-referred pipeline. Therefore, the TIFF test images are getting a different set of processing than LR applies to raw files.] Bill Janes suggested that… [Read More]
Lightroom and Photoshop Exposure controls, part 3
[Added after the original post. Eric Chan has informed me that there are two image-processing pipelines in Lightroom: output-referred, and scene-referred. Raw files get the scene-referred pipeline. Integer TIFFs get the output-referred pipeline. Therefore, the TIFF test images are getting a different set of processing than LR applies to raw files.] Now for a three-dimensional… [Read More]
Lightroom and Photoshop Exposure controls, part 2
[Added after the original post. Eric Chan has informed me that there are two image-processing pipelines in Lightroom: output-referred, and scene-referred. Raw files get the scene-referred pipeline. Integer TIFFs get the output-referred pipeline. Therefore, the TIFF test images are getting a different set of processing than LR applies to raw files.] In the previous post,… [Read More]
Lightroom and Photoshop Exposure controls
This may be old news to many of you, but I just stumbled on to it and nailed it down. The new(ish) Lightroom exposure control (Process Version 2012) works differently than the Exposure adjustment layer in Photoshop CS 6. While the Lightroom control gives you a convenient way to simulate the shoulder of the film… [Read More]
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