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Photography meets digital computer technology. Photography wins -- most of the time.

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Archives for 2013

Sony 55 FE on the a7R

December 22, 2013 JimK 3 Comments

The Sony/ Zeiss 55mm f/1.8 Sonnar is the first native FE (Full frame E) I’ve tried on the a7R. This is not a particularly small lens, but it’s very light, and makes for a happy shoulder when mounted to the a7R body. The first thing I did was check for falloff and color shift, with… [Read More]

The Last Word

Leica 90mm & Nikon 85mm on the a7R

December 21, 2013 JimK Leave a Comment

The Leica 90mm f/2 APO Summicron is a great lens, and so is the Nikon 85mm f/1.4 AF-S G. The Leica lens is, like most Leica glass, a bunch more money. Wouldn’t it be great if the Nikon turned out to be as good? Now that we’ve got the a7R, we can test these two… [Read More]

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Testing for shutter slap

December 21, 2013 JimK 2 Comments

The vibration issues with the a7R’s shutter have caused me to spend more time thinking about how to test for shutter-induced vibration. The same techniques can be used to test for mirror-slap vibration in SLRs, but that’s not usually too much of an issue, for two reasons: mirror-slap vibration is larger, and therefore easier to… [Read More]

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Leica WATE on the Sony a7R — crops

December 20, 2013 JimK 2 Comments

This post has the 1:1 crops from the Leica WATE on the Sony a7R images referenced in the preceding post. Center, 16 mm, f/4: Center, 16 mm, f/8: Center, 18 mm, f/4: Center, 18 mm, f/8: Center, 21 mm, f/4: Center, 21 mm, f/8: Upper left, 16 mm, f/4: Upper left, 16 mm, f/8: Upper… [Read More]

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Leica WATE on the Sony a7R

December 20, 2013 JimK Leave a Comment

There’s been some interest in how the Leica 16/18/21 Tri Elmar ASPH  — aka the WATE, for Wide Angle Tri-Elmar — performs on the Sony a7R. Because it is designed with its exit pupil quite a ways from the sensor plane, there is reason to suspect that it should work well on the a7R. The… [Read More]

The Last Word

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Articles

  • About
    • Patents and papers about color
    • Who am I?
  • How to…
    • Backing up photographic images
    • How to change email providers
    • How to shoot slanted edge images for me
  • Lens screening testing
    • Equipment and Software
    • Examples
      • Bad and OK 200-600 at 600
      • Excellent 180-400 zoom
      • Fair 14-30mm zoom
      • Good 100-200 mm MF zoom
      • Good 100-400 zoom
      • Good 100mm lens on P1 P45+
      • Good 120mm MF lens
      • Good 18mm FF lens
      • Good 24-105 mm FF lens
      • Good 24-70 FF zoom
      • Good 35 mm FF lens
      • Good 35-70 MF lens
      • Good 60 mm lens on IQ3-100
      • Good 63 mm MF lens
      • Good 65 mm FF lens
      • Good 85 mm FF lens
      • Good and bad 25mm FF lenses
      • Good zoom at 24 mm
      • Marginal 18mm lens
      • Marginal 35mm FF lens
      • Mildly problematic 55 mm FF lens
      • OK 16-35mm zoom
      • OK 60mm lens on P1 P45+
      • OK Sony 600mm f/4
      • Pretty good 16-35 FF zoom
      • Pretty good 90mm FF lens
      • Problematic 400 mm FF lens
      • Tilted 20 mm f/1.8 FF lens
      • Tilted 30 mm MF lens
      • Tilted 50 mm FF lens
      • Two 15mm FF lenses
    • Found a problem – now what?
    • Goals for this test
    • Minimum target distances
      • MFT
      • APS-C
      • Full frame
      • Small medium format
    • Printable Siemens Star targets
    • Target size on sensor
      • MFT
      • APS-C
      • Full frame
      • Small medium format
    • Test instructions — postproduction
    • Test instructions — reading the images
    • Test instructions – capture
    • Theory of the test
    • What’s wrong with conventional lens screening?
  • Previsualization heresy
  • Privacy Policy
  • Recommended photographic web sites
  • Using in-camera histograms for ETTR
    • Acknowledgments
    • Why ETTR?
    • Normal in-camera histograms
    • Image processing for in-camera histograms
    • Making the in-camera histogram closely represent the raw histogram
    • Shortcuts to UniWB
    • Preparing for monitor-based UniWB
    • A one-step UniWB procedure
    • The math behind the one-step method
    • Iteration using Newton’s Method

Category List

Recent Comments

  • Mike MacDonald on Your photograph looks like a painting?
  • Mike MacDonald on Your photograph looks like a painting?
  • bob lozano on The 16-Bit Fallacy: Why More Isn’t Always Better in Medium Format Cameras
  • JimK on Goldilocks and the three flashes
  • DC Wedding Photographer on Goldilocks and the three flashes
  • Wedding Photographer in DC on The 16-Bit Fallacy: Why More Isn’t Always Better in Medium Format Cameras
  • JimK on Fujifilm GFX 100S II precision
  • Renjie Zhu on Fujifilm GFX 100S II precision
  • JimK on Fuji 20-35/4 landscape field curvature at 23mm vs 23/4 GF
  • Ivo de Man on Fuji 20-35/4 landscape field curvature at 23mm vs 23/4 GF

Archives

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