This is post eight in a series about my experiences in publishing a book. The series starts here. I don’t think the organization of the book is going to be anything fancy: an introduction by someone else, an artist’s statement by me, the pictures, with titles. I could just string the images together, page after… [Read More]
Archives for May 2015
A book report: winnowing and gamut checking
This is post seven in a series about my experiences in publishing a book. The series starts here. I went to my Lightroom collection of the Staccato images. There were 609 of them. I told Lr to just show me the ones rated two stars and higher. That got it down to 380. I decided… [Read More]
A book report: hard copy proofing
This is post six in a series about my experiences in publishing a book. The series starts here. I’m going to need a way to proof images for the book. Soft proofing will get you close, but there’s no substitute for a real, hard-copy proof. If the Coated GRACoL 2006 gamut lies completely within the… [Read More]
A book report: some advice from a reader
This is post five in a series about my experiences in publishing a book. The series starts here. From the mail bag: Dear Jim, Having followed your blog for quite some time, this is a topic I might actually be able to contribute something for the first time. I’ve been producing art books as a… [Read More]
A book report: stochastic screen pitch
This is post four in a series about my experiences in publishing a book. The series starts here. There’s another decision that I have to make about the book. Do I want it printed with 10 micron or 20 micron plates? That probably doesn’t mean much to you. But, if you’ve got some inkjet experience,… [Read More]
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