This is the second in a series of posts on color reproduction. The series starts here. Before I get into today’s topic, I need to trot out a bunch of caveats about what people I’m talking about, and what I mean by seeing color. First, I’m talking about folks whose vision is what is now… [Read More]
Archives for 2015
The color reproduction problem
This is the first in a series of 33 posts attempting to deal with the question, “Do some cameras have better color than others?” The best way to navigate to all the other parts is to scroll down to the bottom of this page and you’ll see permalinks to all the other posts in this… [Read More]
Fast vs slow lenses at the same aperture
A few days ago, I wrote this post, which attempted to make the case that slower, lighter lenses were — by and large — a better match for modern full frame mirrorless cameras than the traditional faster ones. I got a lot of pushback. I dealt with the equivalence argument here. Another line of attack… [Read More]
Great f/4 lenses, past, present, and future
Thinking about top-notch f/4 lenses nudged me into compiling a list –admittedly biased by my experience, and thoroughly incomplete – of exemplary, and mostly pricy, f/4 full frame lenses. Some no longer produced, some current, and some I’d like to see made in Sony FE mount form. Past Leica 280/4 Apo-Telyt-R. This was a special… [Read More]
f/4 vs f/2.8 & photographic equivalence
In Tuesday’s post, I made a pitch for more high-quality slowish lenses on full frame mirrorless cameras. I also posted most of my little soliloquy on dpr. Over there, a good time seemed to be had by all; more than a hundred responses in the first 20 hours. One of those respondents took me to… [Read More]
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