This is the 20th in a series of posts on the Fujifilm GFX-50S. The series starts here. You should be able to find all the posts about that camera in the Category List on the right sidebar, below the Articles widget. There’s a drop-down menu there that you can use to get to all the… [Read More]
Archives for 2017
Zeiss 135/2 Apo-Sonnar on GFX
This is the nineteenth in a series of posts on the Fujifilm GFX-50S. The series starts here. You should be able to find all the posts about that camera in the Category List on the right sidebar, below the Articles widget. There’s a drop-down menu there that you can use to get to all the… [Read More]
Otus 55/1.4 on GFX
This is the eighteenth in a series of posts on the Fujifilm GFX-50S. The series starts here. You should be able to find all the posts about that camera in the Category List on the right sidebar, below the Articles widget. There’s a drop-down menu there that you can use to get to all the… [Read More]
Visual shadow noise with GFX, D810, & a7RII
This is the seventeenth in a series of posts on the Fujifilm GFX-50S. The series starts here. You should be able to find all the posts about that camera in the Category List on the right sidebar, below the Articles widget. There’s a drop-down menu there that you can use to get to all the… [Read More]
The secret behind GFX sharpness with native lenses
In my GFX tests, I’ve found that the camera is about as sharp as you’d expect when tested with adapted exotic Zeiss glass, but it is surprisingly good with the presumably lower-quality Fuji 63 and 120 macro. Why is that? For the answer, I turned to a group of experts: the brilliant, unconventional folks at… [Read More]
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