The question of equivalent full frame focal lengths of the Fujifilm GF and Hasselblad XCD lenses comes up over and over. I thought I’d post that information here, and then I can link to it when the topic comes up again. There are three common ways to calculate equivalent focal lengths: by sensor width, by… [Read More]
Effect of camera resolution on small prints
There was recently a question thrown out on a public forum that I’ll paraphrase and make more specific here: “How big do you have to print before you can see the difference between the GFX 50x and GFX 100x cameras?” My answer: The pixel aperture of the GFX 100x and GFX 50x is the same… [Read More]
Leica Q2 Monochrom vs GFX 50S — red Siemens star
This is the third post in a series about the Leica Q2 Monochrom. You can see all the other posts in the series by looking in the Category List drop-down menu on the right side of the page. Some people who read yesterday’s post asked about differences between the GFX 50S and the Leica Q2… [Read More]
Leica Q2 Monochrom vs GFX 50S — Siemens star
This is the second post in a series about the Leica Q2 Monochrom. You can see all the other posts in the series by looking in the Category List drop-down menu on the right side of the page. Aside from the one-stop increase in speed, which is undisputable, the putative advantage of monochrome capture is… [Read More]
Fuji 35-70 GF transfocal bokeh
There are two important aspects to bokeh. It seems most people, when they hear the word, think immediately of the look of parts of the scene that are for out of focus. That’s a good thing to think about when buying, selecting, or using a lens, but the, ahem, focus, of today’s post is going… [Read More]
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