I just got a Kirk Enterprise Solutions — a surprisingly biz-school-speak sounding name for an Angola, Indiana company — L-bracket for my Fuji GFX 50R. The trend these days in such devices is to make the vertical piece removable so you don’t have to deal with it if you don’t need it, but the Kirk… [Read More]
Dealing with focus shift with native lenses on the Fuji GFX
This is a continuation of a series of posts on the Fuji GFX 50S. You should be able to find all the posts about that camera in the Category List on the right sidebar, below the Articles widget. There’s a drop-down menu there that you can use to get to all the posts in this series;… [Read More]
Testing for the MF look
There is a recurring theme in many Internet fora that there is a “look” to medium format (MF) images apart from their generally higher acutance and detail, even when shot with lenses and settings that are equivalent to their full-frame (FF) counterparts. The claim is that the look is so strong that it survives downsampling… [Read More]
a7RIII, Z7, GFX color accuracy with Adobe Neutral profile
This is one in a series of posts on the Nikon Z7. You should be able to find all the posts about that camera in the Category List on the right sidebar, below the Articles widget. There’s a drop-down menu there that you can use to get to all the posts in this series; just… [Read More]
35 mm f/1.8 Nikkor S focus shift
This is one in a series of posts on the Nikon Z7. You should be able to find all the posts about that camera in the Category List on the right sidebar, below the Articles widget. There’s a drop-down menu there that you can use to get to all the posts in this series; just… [Read More]