There was recently a question thrown out on a public forum that I’ll paraphrase and make more specific here: “How big do you have to print before you can see the difference between the GFX 50x and GFX 100x cameras?” My answer: The pixel aperture of the GFX 100x and GFX 50x is the same… [Read More]
Leica Q2 Monochrom vs GFX 50S — red Siemens star
This is the third post in a series about the Leica Q2 Monochrom. You can see all the other posts in the series by looking in the Category List drop-down menu on the right side of the page. Some people who read yesterday’s post asked about differences between the GFX 50S and the Leica Q2… [Read More]
Leica Q2 Monochrom vs GFX 50S — Siemens star
This is the second post in a series about the Leica Q2 Monochrom. You can see all the other posts in the series by looking in the Category List drop-down menu on the right side of the page. Aside from the one-stop increase in speed, which is undisputable, the putative advantage of monochrome capture is… [Read More]
Fuji 35-70 GF transfocal bokeh
There are two important aspects to bokeh. It seems most people, when they hear the word, think immediately of the look of parts of the scene that are for out of focus. That’s a good thing to think about when buying, selecting, or using a lens, but the, ahem, focus, of today’s post is going… [Read More]
Field curvature in the Fuji GF 35-70, part 2
In a previous post, I tested the field curvature of the Fuji 35-70 GF using Roger Cicala’s quick and dirty method. A reader said he was having difficulty with what appeared to be field curvature in the corners. That gave me an idea for a modifications of Roger’s test. I rolled the camera so that… [Read More]
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