This is the kind of tech-heavy post that I’d normally put in The Bleeding Edge. I’m posting it here because I think the topic is so important to digital photographers. It starts out with a history lesson, but you can ignore that if you’re impatient. Over the next few posts I’ll be dealing with the… [Read More]
Making art in isolation
In the same Luminous Landscape thread that sparked my last post, the topic of learning from the work of famous photographers working in your chosen genre(s) came up. In my previous post, I made the point that your work is your own, and you should let your work dictate your choice of equipment. Unsaid, but… [Read More]
What camera is best for street photography?
There’s an old thread on the Luminous Landscape board that I just noticed. The original poster wanted to know what camera is best for street photography. As you might imagine, that question evoked a lot of discussion about the definition of street photography. Horses for courses, as the adage goes, and you need to identify… [Read More]
Just say “no” to roll paper
I’ve finally delivered all the prints that sold during the CPA In Motion show. It’s taken me longer than I expected because of two large(ish — the definition of a large photographic print has been changing over the last ten years) prints. I normally print the Staccato images on C-size — 17×22 — Exhibition Fiber… [Read More]
Wagging the dog, again
There’s an oft-told line about how the Apple II made its way into businesses in the late 1970s and early 1980s. Thousands of businessmen walked into computer stores and said. “Sell me a copy of Visicalc and something to run it on.” I just bought a Mac. It’s been more than ten years since I… [Read More]
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