This is the seventeenth in a series of posts on the Fujifilm GFX-50S. The series starts here. You should be able to find all the posts about that camera in the Category List on the right sidebar, below the Articles widget. There’s a drop-down menu there that you can use to get to all the… [Read More]
The secret behind GFX sharpness with native lenses
In my GFX tests, I’ve found that the camera is about as sharp as you’d expect when tested with adapted exotic Zeiss glass, but it is surprisingly good with the presumably lower-quality Fuji 63 and 120 macro. Why is that? For the answer, I turned to a group of experts: the brilliant, unconventional folks at… [Read More]
Otus 55 on D810 & a7RII
This is the sixteenth in a series of posts on the Fujifilm GFX-50S. The series starts here. You should be able to find all the posts about that camera in the Category List on the right sidebar, below the Articles widget. There’s a drop-down menu there that you can use to get to all the… [Read More]
Otus 85 on GFX, Otus 55 on a7RII — square images
This is the fifteenth in a series of posts on the Fujifilm GFX-50S. The series starts here. You should be able to find all the posts about that camera in the Category List on the right sidebar, below the Articles widget. There’s a drop-down menu there that you can use to get to all the… [Read More]
Otus 85 on the a7RII, Fuji 120mm macro on the GFX-50S
This is the thirteenth in a series of posts on the Fujifilm GFX-50S. The series starts here. In the last two a7RII/GFX tests, we found that the 120mm Fuji macro is a pretty special lens, and that the 63mm Fuji normal lens is no slouch either. It wasn’t much of a contest with the Zony… [Read More]