In the November/December 2007 issue of Lenswork, Brooks Jensen wrote an essay on the implications of “the ongoing revolution in commercial printing technologies.” Jensen asserts, and justifies the position, that the best commercial printing processes can produce images equaling or exceeding the quality of photographic prints. He compares the rapid quality improvements in the commercial… [Read More]

In the last post, I considered the photographic process as linear, with a camera simply a tool that the photographer uses to make real a predefined vision. Most of the time it doesn’t actually work that way. Photographic visions don’t usually arrive fully formed and perfect, like the Kubla Khan did to Coleridge. We photographers… [Read More]

Our carried-over topic is the relationship between the greatness of a camera and the quality of the photographs produced by that camera. In his essay, Lane attributes to the Leica M-series line of cameras near-magical powers to produce great photographs. At a gut level, I don’t buy that. I think that the M-series Leicas are… [Read More]

While not directly on the topic of the relationship of great cameras and great photographs, I got thinking about great lines of cameras, and I thought I’d share my thoughts while I work on the larger topic. In his New Yorker essay, Lane went further than saying that one camera model could offer tangible advantages… [Read More]

This is my first post as a blogger. The previous entries were recycled from my old newsletter column. I expect that I will be able to write more frequently, and I’m looking forward to not being constrained by the requirement to produce a certain number of column inches on a fixed schedule. I hope for… [Read More]