This is one in a series of posts on the Nikon Z7. You should be able to find all the posts about that camera in the Category List on the right sidebar, below the Articles widget. There’s a drop-down menu there that you can use to get to all the posts in this series; just look for “Nikon Z6/7”.
I’m not gonna bury the lede here: in this static test with a difficult adapter lens, the Z7 is far more accurate at autofocusing than the D850.
Now that I have the FTZ adapter, testing of the Z7’s autofocus accuracy has moved to the top of my priority list. I chose a test lens that I consider to be a severs challenge to autofocus systems: the Nikon 58 mm f/1.4. This special-purpose lens has a lot of character, which in my book translates to “adorable flaws”. In the case of the 58, those flaws include longitudinal chromatic aberration (LoCA) and spherical aberration (SA). The LoCA challenges the camera to find the focus position that optimizes the sharpness of the luminance signal, which means that the sharpness of some colors will be sacrificed. Some cameras do this well. Some camera and lens combinations (like the Sony a7RII and the Batis 85) cause the wrong color plane to be sharp. SA means that the location of the in-focus plane shifts as the lens is stopped down, which can trip up PDAF systems that use a narrow range of effective apertures for focusing.
Here are the results of my testing, using AF-S, with the release priority set to “focus” and smallest user-defined spot focal point.
There are 10 measurements per tested aperture. They are plotted as dots. I measure the focus location in each of the Adobe RGB color planes, and which plane the measurement came from is indicated by the color of the dots. I’ve plotted the mean, mean-plus-standard-deviation, and mean-minus-standard-deviation values as lines. The amount of scattering in the dots and the distance between the mean-plus-standard-deviation and mean-minus-standard-deviation gives you an idea of the experimental error. The vertical axis is focus error at the image sensor in micrometers, with positive numbers indicating back-focus.
You can see the effect of the LoCA: there’s a 20 um spread among the locations where the three color planes are brought into focus. You can also see that the camera picked the right plane to focus on — most of the luminance signal is green light.
To get a better idea of how this will influence photography, consider the circles-of-confusion (CoCs) on the sensor implied by that much focus error:
The pitch of the Z7 sensor is a bit over 4 micrometers (um). So the plus and minus one standard deviation CoC errors for the green plane at the sensor is within one sensor pitch of perfection. This is a spectacular performance from the Z7. I thought it would be good, but I had no idea it would be this good.
Let’s compare the Z7 results with those obtained with the same lens mounted on a Nikon D850 and optimized with AF tuning for f/1.8.
The green dotted lines are for the D850, and the red solid ones for the Z7. Luminance sharpness is the criterion for the plane location calculation. Not only are the mean errors much smaller for the Z7 than for the D850, the scatter, as indicated by the distance between the thinner plus and minus one standard deviation lines is less with the Z7. Note that the red channel pulls the luminance error upwards at f/1.4, as the camera is optimizing for the green channel.
If we look at the implied circle of confusion diameters:
Here’s another comparison, with the a7RIII and the Zony 55, which is a much more well-behaved lens with respect to SA.
Both cameras are doing a great job here.
Unlike the D850, which doesn’t move the focal plane if the PDAF reading says the image is already in focus, the Z7 adjusts focus for the second and subsequent exposures; you can see the ring on the lens turn back and forth as the focus is sought. This means the AF is slower than the D850, but it also means that the chances for the sharpest possible shot are increased. The D850, on the other hand, can lock itself into a close-but-no-cigar focus plane, and sit there fat, dumb, and happy. Of course, you can lock focus on the Z7 if you wish.
Nikon has said that, for adapted lenses, the Z7 forgoes the CDAF trim phase at the end of the PDAF phase. Looking at these results, I’m having trouble believing that. [Nikon has apparently retracted that statement. So the behavior that I’m observing matches the PDAF-with-CDAF trim that is now officially the way that adapted lenses focus on the Z7.]