For the last two or three months, when I haven’t been working on a comprehensive upgrade of my voice/data network, I’ve been developing a new photographic series. The photography is a lot more fun. The series – no surprise to those of you who’ve been following my work – is based on motion. It’s different… [Read More]
Leica M9 progressive underexposure examples
There’s been an interesting thread on the L-Camera Forum that was started by someone who’d read this post about getting better results with the M9 by treating the camera as if the ISO dial didn’t go past 640. In the ensuing discussion, there was some healthy skepticism about my findings and about the applicability of… [Read More]
Data scaling
This is the kind of tech-heavy post that I’d normally put in The Bleeding Edge. I’m posting it here because I think the topic is so important to digital photographers. It starts out with a history lesson, but you can ignore that if you’re impatient. Over the next few posts I’ll be dealing with the… [Read More]
Making art in isolation
In the same Luminous Landscape thread that sparked my last post, the topic of learning from the work of famous photographers working in your chosen genre(s) came up. In my previous post, I made the point that your work is your own, and you should let your work dictate your choice of equipment. Unsaid, but… [Read More]
What camera is best for street photography?
There’s an old thread on the Luminous Landscape board that I just noticed. The original poster wanted to know what camera is best for street photography. As you might imagine, that question evoked a lot of discussion about the definition of street photography. Horses for courses, as the adage goes, and you need to identify… [Read More]
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