• site home
  • blog home
  • galleries
  • contact
  • underwater
  • the bleeding edge

the last word

Photography meets digital computer technology. Photography wins -- most of the time.

You are here: Home / X2D / Hasselblad X2D 100C EDR vs ISO

Hasselblad X2D 100C EDR vs ISO

September 25, 2022 JimK 2 Comments

This is the second in a series of posts on the Hasselblad X2D 100C camera and the XCD lenses. You will be able to find all the posts in this series by looking at the righthand column on this page and finding the Category “X2D”.

I made a series of dark-field images with the X2D at various ISO settings, shutter modes (ES and MS), and raw precision (14 and 16 bit). I analyzed the images, calculated the read noise, and I’ll show you the results. These curves show the engineering dynamic range (EDR), which I’m defining here as full scale divided by the root-mean-square (rms) value of the read noise, using lossless compression. Shutter speed was 1/1000 second. All these tests were done with no lens. I used a body cap to get the dark field. The curves are all done using 2000×2000 pixel crops that have been shifted leftward just far enough to avoid the center column of the sensor, which is sometimes the site of  aberrant behavior.

First, with ES and 14-bit precision:

The vertical scale is EDR in stops. The EDR for all four raw channels is plotted. The red channel is number 1. The blue channel is number 4. The green channels are numbers 2 and 3. The flattening of the EDR for ISO 64 and ISO 100 indicates that the high conversion gain mode for the sensor starts at ISO 200.

The results with 16-bit precision are substantially the same:

Here are the EDR advantages of 16-bit over 14-bit precision:

\

The advantage at 64, 100, and 200 is minimal, and those hat higher ISOs is even less.

The differences between using the electronic shutter and the mechanical shutter in the 38mm lens are even less:

Here’s the spectrum of the dark field noise for one of the green raw planes:

 

Fs is the sampling frequency of the sensor. fs = 0.5 is the Nyquist frequency. Except for the spike at low frequency, the spectrum is flat.

That’s not true of the blue plane:

The vertical direction shows very mild low-pass filtering.

The same situation obtains as the ISO dial goes higher:

 

X2D

← Hasselblad X2D 100C sensor sensitivity Hasselblad X2D 100C EDR vs shutter speed →

Comments

  1. Erik says

    October 28, 2022 at 12:14 am

    So, it looks like 14 vs 16 bit only barely effects DR, and only at the lowest ISO values.

    From what I can tell, you are drawing the conclusion that the high conversion gain is happening at ISO 200, because there is a boost in DR from 100-200, and without a gain boost, that wouldn’t naturally happen.

    Why would MS vs ES effect DR? You said it doesn’t in this test, but why test for it?

    Could you explain the dark field noise graphs? I don’t understand what I should be looking at.

    Reply
    • JimK says

      October 28, 2022 at 9:13 am

      Why would MS vs ES effect DR? You said it doesn’t in this test, but why test for it?

      Some cameras use different analog to digital converter processes for ES and MS.

      Reply

Leave a Reply Cancel reply

Your email address will not be published. Required fields are marked *

May 2025
S M T W T F S
 123
45678910
11121314151617
18192021222324
25262728293031
« Apr    

Articles

  • About
    • Patents and papers about color
    • Who am I?
  • How to…
    • Backing up photographic images
    • How to change email providers
    • How to shoot slanted edge images for me
  • Lens screening testing
    • Equipment and Software
    • Examples
      • Bad and OK 200-600 at 600
      • Excellent 180-400 zoom
      • Fair 14-30mm zoom
      • Good 100-200 mm MF zoom
      • Good 100-400 zoom
      • Good 100mm lens on P1 P45+
      • Good 120mm MF lens
      • Good 18mm FF lens
      • Good 24-105 mm FF lens
      • Good 24-70 FF zoom
      • Good 35 mm FF lens
      • Good 35-70 MF lens
      • Good 60 mm lens on IQ3-100
      • Good 63 mm MF lens
      • Good 65 mm FF lens
      • Good 85 mm FF lens
      • Good and bad 25mm FF lenses
      • Good zoom at 24 mm
      • Marginal 18mm lens
      • Marginal 35mm FF lens
      • Mildly problematic 55 mm FF lens
      • OK 16-35mm zoom
      • OK 60mm lens on P1 P45+
      • OK Sony 600mm f/4
      • Pretty good 16-35 FF zoom
      • Pretty good 90mm FF lens
      • Problematic 400 mm FF lens
      • Tilted 20 mm f/1.8 FF lens
      • Tilted 30 mm MF lens
      • Tilted 50 mm FF lens
      • Two 15mm FF lenses
    • Found a problem – now what?
    • Goals for this test
    • Minimum target distances
      • MFT
      • APS-C
      • Full frame
      • Small medium format
    • Printable Siemens Star targets
    • Target size on sensor
      • MFT
      • APS-C
      • Full frame
      • Small medium format
    • Test instructions — postproduction
    • Test instructions — reading the images
    • Test instructions – capture
    • Theory of the test
    • What’s wrong with conventional lens screening?
  • Previsualization heresy
  • Privacy Policy
  • Recommended photographic web sites
  • Using in-camera histograms for ETTR
    • Acknowledgments
    • Why ETTR?
    • Normal in-camera histograms
    • Image processing for in-camera histograms
    • Making the in-camera histogram closely represent the raw histogram
    • Shortcuts to UniWB
    • Preparing for monitor-based UniWB
    • A one-step UniWB procedure
    • The math behind the one-step method
    • Iteration using Newton’s Method

Category List

Recent Comments

  • bob lozano on The 16-Bit Fallacy: Why More Isn’t Always Better in Medium Format Cameras
  • JimK on Goldilocks and the three flashes
  • DC Wedding Photographer on Goldilocks and the three flashes
  • Wedding Photographer in DC on The 16-Bit Fallacy: Why More Isn’t Always Better in Medium Format Cameras
  • JimK on Fujifilm GFX 100S II precision
  • Renjie Zhu on Fujifilm GFX 100S II precision
  • JimK on Fuji 20-35/4 landscape field curvature at 23mm vs 23/4 GF
  • Ivo de Man on Fuji 20-35/4 landscape field curvature at 23mm vs 23/4 GF
  • JimK on Fuji 20-35/4 landscape field curvature at 23mm vs 23/4 GF
  • JimK on Fuji 20-35/4 landscape field curvature at 23mm vs 23/4 GF

Archives

Copyright © 2025 · Daily Dish Pro On Genesis Framework · WordPress · Log in

Unless otherwise noted, all images copyright Jim Kasson.