• site home
  • blog home
  • galleries
  • contact
  • underwater
  • the bleeding edge

the last word

Photography meets digital computer technology. Photography wins -- most of the time.

You are here: Home / The Last Word / Cruising with the Sony a7RII – getting around

Cruising with the Sony a7RII – getting around

September 25, 2015 JimK Leave a Comment

This is a continuation of a report on a trip with the Sony a7RII. The series starts here. Rather than post more pretty pictures from the Alaska trip today, I thought that I’d show some things that might be useful to photographers planning something similar.

Here’s an inflatable (which I’ll call a Zodiac, even though, strictly speaking, that’s not true) loading for a shore outing:

_DSC6038

Note, the life jackets, which, as I’ve noted previously, severely limit access to any pockets in your jacket or vest. Note also the rubber boots, which you’ll need for wet landings and all your time ashore after a wet landing. You can’t tell that the pants are waterproof, but take my word for it.

Once you’re out in the Zodiac, juggling cameras can be awkward, particularly if the sea is not calm and you’ve brought some big lenses:

_DSC2672

If the best subject is behind you, and you aren’t particularly limber, you can kneel on the floor of the boat. A folded towel or, even better, knee pads, makes this much more comfortable.

The boats can move along at a brisk clip, so be careful of your gear:

_DSC2713

In the middle of a cold day looking at glaciers and icebergs, the Cocoa Tender is a welcome sight:

_DSC3006

Whipped cream and Grand Marnier, anyone?

We had Max Seigal, a drone pilot/photographer, on board. It was great to see things as they looked from the air:

_DSC6043

There was a naturalist/artist/culture expert to tell us what we were about to see or explain what we had seen:

_DSC6074

 

There was another naturalist and an underwater specialist, who dove every day in the frigid waters and showed us videos at night.

Our photographic instructor was Jonathan Kingston, and he was really helpful to less-than-expert photographer passengers:

_DSC6969

And, last but not least, the famous National Geographic photographer, Flip Nicklin:

_DSC6127

The Last Word

← Cruising with the Sony a7RII – stitchery Cruising with the Sony a7RII – local color →

Leave a Reply Cancel reply

Your email address will not be published. Required fields are marked *

May 2025
S M T W T F S
 123
45678910
11121314151617
18192021222324
25262728293031
« Apr    

Articles

  • About
    • Patents and papers about color
    • Who am I?
  • How to…
    • Backing up photographic images
    • How to change email providers
    • How to shoot slanted edge images for me
  • Lens screening testing
    • Equipment and Software
    • Examples
      • Bad and OK 200-600 at 600
      • Excellent 180-400 zoom
      • Fair 14-30mm zoom
      • Good 100-200 mm MF zoom
      • Good 100-400 zoom
      • Good 100mm lens on P1 P45+
      • Good 120mm MF lens
      • Good 18mm FF lens
      • Good 24-105 mm FF lens
      • Good 24-70 FF zoom
      • Good 35 mm FF lens
      • Good 35-70 MF lens
      • Good 60 mm lens on IQ3-100
      • Good 63 mm MF lens
      • Good 65 mm FF lens
      • Good 85 mm FF lens
      • Good and bad 25mm FF lenses
      • Good zoom at 24 mm
      • Marginal 18mm lens
      • Marginal 35mm FF lens
      • Mildly problematic 55 mm FF lens
      • OK 16-35mm zoom
      • OK 60mm lens on P1 P45+
      • OK Sony 600mm f/4
      • Pretty good 16-35 FF zoom
      • Pretty good 90mm FF lens
      • Problematic 400 mm FF lens
      • Tilted 20 mm f/1.8 FF lens
      • Tilted 30 mm MF lens
      • Tilted 50 mm FF lens
      • Two 15mm FF lenses
    • Found a problem – now what?
    • Goals for this test
    • Minimum target distances
      • MFT
      • APS-C
      • Full frame
      • Small medium format
    • Printable Siemens Star targets
    • Target size on sensor
      • MFT
      • APS-C
      • Full frame
      • Small medium format
    • Test instructions — postproduction
    • Test instructions — reading the images
    • Test instructions – capture
    • Theory of the test
    • What’s wrong with conventional lens screening?
  • Previsualization heresy
  • Privacy Policy
  • Recommended photographic web sites
  • Using in-camera histograms for ETTR
    • Acknowledgments
    • Why ETTR?
    • Normal in-camera histograms
    • Image processing for in-camera histograms
    • Making the in-camera histogram closely represent the raw histogram
    • Shortcuts to UniWB
    • Preparing for monitor-based UniWB
    • A one-step UniWB procedure
    • The math behind the one-step method
    • Iteration using Newton’s Method

Category List

Recent Comments

  • JimK on How Sensor Noise Scales with Exposure Time
  • Štěpán Kaňa on Calculating reach for wildlife photography
  • Štěpán Kaňa on How Sensor Noise Scales with Exposure Time
  • JimK on Calculating reach for wildlife photography
  • Geofrey on Calculating reach for wildlife photography
  • JimK on Calculating reach for wildlife photography
  • Geofrey on Calculating reach for wildlife photography
  • Javier Sanchez on The 16-Bit Fallacy: Why More Isn’t Always Better in Medium Format Cameras
  • Mike MacDonald on Your photograph looks like a painting?
  • Mike MacDonald on Your photograph looks like a painting?

Archives

Copyright © 2025 · Daily Dish Pro On Genesis Framework · WordPress · Log in

Unless otherwise noted, all images copyright Jim Kasson.