• site home
  • blog home
  • galleries
  • contact
  • underwater
  • the bleeding edge

the last word

Photography meets digital computer technology. Photography wins -- most of the time.

You are here: Home / a7RIV / Sony 20/1.8 vs Batis 18/2.8 — Siemens Star

Sony 20/1.8 vs Batis 18/2.8 — Siemens Star

March 14, 2020 JimK 2 Comments

I’ve been asked to compare the Sony 20mm f/1.8 to the Zeiss Batis 18 mm f/2.8. Here’s a test with both lenses mounted on an a7RIV aimed at a low-contrast Siemens Star at about 8 meters for the 20, and about a meter close for the 18, with the star in the center and the lower left corner. I used AF-S with the small spot. In each case I made three shots at each setting, focusing anew for each shot, and picked the best. This method calibrates out focus curvature. Developed in Lightroom with sharpening set to amount 20, radius 1, detail 0, which is quite a bit less than Lr’s default sharpening. White balanced to the gray surround of the target. They are presented at about 250%.

Sony 20 mm f/1.8, center, f/2.8

 

Batis 18 mm f/2.8, center, f/2.8

The difference in focal length appear to be more than 10%. The Batis has similar extinction resolution , but lower contrast.

 

 

Sony 20 mm f/1.8, center, f/4

 

Batis 18 mm f/2.8, center, f/4

Same.

Sony 20 mm f/1.8, center, f/5.6
Batis 18 mm f/2.8, center, f/5.6

The contrast is getting closer.

Sony 20 mm f/1.8, center, f/8

 

Batis 18 mm f/2.8, center, f/8

Same thing.

In the corner:

Sony 20 mm f/1.8, corner, f/2.8

 

Batis 18 mm f/2.8, corner, f/2.8

The Batis is sharper, abut has a bit more light falloff.

 

Sony 20 mm f/1.8, corner, f/4

 

Batis 18 mm f/2.8, corner, f/4

The Batis is still ahead, but the Sony is catching up.

 

Sony 20 mm f/1.8, corner, f/5.6

 

Batis 18 mm f/2.8, corner, f/5.6

About the same.

 

Sony 20 mm f/1.8, corner, f/8

 

Batis 18 mm f/2.8, corner, f/8

The a7RIV was unable to focus the Batis in the corner here, so I don’t think we can draw any conclusions from this last pair.

At four or five hundred dollars cheaper than the Zeiss lens, and a stop and a third faster, the Sony 20/1.8 looks attractive here.

a7RIV

← Sony 20mm f/1.8 focus curvature Calibrating out the camera when making color profiles →

Comments

  1. Shen111YL says

    March 18, 2020 at 12:04 am

    Thank you for this evaluation, as there wasn’t many tests done for the Sony 20mm presently.

    However, the 2mm difference is often essential for many UWA shooters (landscape) and I am included. Even at 18mm (I was then using the A7R2) there were times I wish it was a little wider. So now I carry the 16-35mm zoom, which I hope I can leave it at home (due to total weight of my gears), and have that weight transfer for a telephoto lens with further reach.

    It seem the Batis 18mm is having more vignetting at the corners in your RAW file test.
    Wonder if the In camera JPEG auto-correction would correct the light fall-off for the Batis 18mm corners and the results could be different? As most would record both RAW and JPEG in A7R4.
    Actually, I am the one having the problem to decide which one of these 3 should I choose, if I want to lighten the weight – 16-35mm, 18mm, 20mm – on my landscape UWA lens and not regret that I pick the wrong one when I am out in the field.
    From your test, I guess I will take the Batis 18mm (lightest of the 3) and not consider the Sony 20mm. Thanks again for helping me to resolve my own headache and hopefully I am correct.

    Reply

Trackbacks

  1. 20mm f/1.8 Nikkor S initial testing says:
    March 27, 2020 at 8:49 pm

    […] ball in the same outfit.  I’ve already some testing on the Sony lens(here, here, here, and here), but I’ve been holding back a bit, wanting to test both lenses together. [Added later. It […]

    Reply

Leave a Reply Cancel reply

Your email address will not be published. Required fields are marked *

May 2025
S M T W T F S
 123
45678910
11121314151617
18192021222324
25262728293031
« Apr    

Articles

  • About
    • Patents and papers about color
    • Who am I?
  • How to…
    • Backing up photographic images
    • How to change email providers
    • How to shoot slanted edge images for me
  • Lens screening testing
    • Equipment and Software
    • Examples
      • Bad and OK 200-600 at 600
      • Excellent 180-400 zoom
      • Fair 14-30mm zoom
      • Good 100-200 mm MF zoom
      • Good 100-400 zoom
      • Good 100mm lens on P1 P45+
      • Good 120mm MF lens
      • Good 18mm FF lens
      • Good 24-105 mm FF lens
      • Good 24-70 FF zoom
      • Good 35 mm FF lens
      • Good 35-70 MF lens
      • Good 60 mm lens on IQ3-100
      • Good 63 mm MF lens
      • Good 65 mm FF lens
      • Good 85 mm FF lens
      • Good and bad 25mm FF lenses
      • Good zoom at 24 mm
      • Marginal 18mm lens
      • Marginal 35mm FF lens
      • Mildly problematic 55 mm FF lens
      • OK 16-35mm zoom
      • OK 60mm lens on P1 P45+
      • OK Sony 600mm f/4
      • Pretty good 16-35 FF zoom
      • Pretty good 90mm FF lens
      • Problematic 400 mm FF lens
      • Tilted 20 mm f/1.8 FF lens
      • Tilted 30 mm MF lens
      • Tilted 50 mm FF lens
      • Two 15mm FF lenses
    • Found a problem – now what?
    • Goals for this test
    • Minimum target distances
      • MFT
      • APS-C
      • Full frame
      • Small medium format
    • Printable Siemens Star targets
    • Target size on sensor
      • MFT
      • APS-C
      • Full frame
      • Small medium format
    • Test instructions — postproduction
    • Test instructions — reading the images
    • Test instructions – capture
    • Theory of the test
    • What’s wrong with conventional lens screening?
  • Previsualization heresy
  • Privacy Policy
  • Recommended photographic web sites
  • Using in-camera histograms for ETTR
    • Acknowledgments
    • Why ETTR?
    • Normal in-camera histograms
    • Image processing for in-camera histograms
    • Making the in-camera histogram closely represent the raw histogram
    • Shortcuts to UniWB
    • Preparing for monitor-based UniWB
    • A one-step UniWB procedure
    • The math behind the one-step method
    • Iteration using Newton’s Method

Category List

Recent Comments

  • JimK on Goldilocks and the three flashes
  • DC Wedding Photographer on Goldilocks and the three flashes
  • Wedding Photographer in DC on The 16-Bit Fallacy: Why More Isn’t Always Better in Medium Format Cameras
  • JimK on Fujifilm GFX 100S II precision
  • Renjie Zhu on Fujifilm GFX 100S II precision
  • JimK on Fuji 20-35/4 landscape field curvature at 23mm vs 23/4 GF
  • Ivo de Man on Fuji 20-35/4 landscape field curvature at 23mm vs 23/4 GF
  • JimK on Fuji 20-35/4 landscape field curvature at 23mm vs 23/4 GF
  • JimK on Fuji 20-35/4 landscape field curvature at 23mm vs 23/4 GF
  • Ivo de Man on Fuji 20-35/4 landscape field curvature at 23mm vs 23/4 GF

Archives

Copyright © 2025 · Daily Dish Pro On Genesis Framework · WordPress · Log in

Unless otherwise noted, all images copyright Jim Kasson.