This is the 58th in a series of posts on the Fujifilm GFX-50S. The series starts here. I’ve tested the Leica 280/4 R-mount tele and the 250/5.6 Superachromat on the GFX, and both did well in different ways. I have several longer full frame lenses that might perform credibly — or might not, due to… [Read More]
Two Leica R-mount 180s on Fujifilm GFX 50S
This is the 57th in a series of posts on the Fujifilm GFX-50S. The series starts here. The Leica R-mount lenses seem to belong on the GFX. The size is right. The focusing throw is good. I never had the scratch — or the desire, if the truth be known — to experience those lenses… [Read More]
Leica 90/2 Summicron-M ASPH on Fuji GFX 50S
This is the 56th in a series of posts on the Fujifilm GFX-50S. The series starts here. In the previous post, I found that the 135 mm f/3.4 Apo-Telyt-M did very well on the GFX if you crop to a 4:5 aspect ratio. Now I’m going to take a look at the 90 mm f/2 Summicron-M ASPH…. [Read More]
Leica 135/3.4 Apo-Telyt-M on Fuji GFX 50S
This is the 55th in a series of posts on the Fujifilm GFX-50S. The series starts here. Of the Leica M-mount lenses I have, I think only two might do well on the GFX. I haven’t found a full-frame lens shorter than 50 mm that really shines on the 33×44 mm Sony sensor, and the… [Read More]
Fujifilm GFX 50S shutter shock
This is the 54th in a series of posts on the Fujifilm GFX-50S. The series starts here. When I was testing the Zeiss 250/5.6 Superachromat on the GFX yesterday, I noticed that the combination of the camera base mounting and the long focal length made it quite sensitive to vibration. I thought that it might… [Read More]
- « Previous Page
- 1
- …
- 33
- 34
- 35
- 36
- 37
- …
- 46
- Next Page »