Yesterday, I reported on test shots of both the Macbeth Colorchecker 24-patch target (the CC24), and the Colorchecker SG 140-patch target (CCSG), made with the following setup: Sony a7RIV, Nikon Z7, Fujifilm GFX 100 Zony 55, Nikon 24-70/2.8 Z-mount lens, Fuji 120 mm f/4 macro Godox/Flashpoint AD600 Pro strobes, set to 1/64 power. 12-inch reflectors… [Read More]
Camera differences in color profile making
I made test shots of both the Macbeth Colorchecker 24-patch target (the CC24), and the Colorchecker SG 140-patch target (CCSG). I used the following setup: Sony a7RIV, Nikon Z7, Fujifilm GFX 100 Zony 55, Nikon 24-70/2.8 Z-mount lens, Fuji 120 mm f/4 macro Godox/Flashpoint AD600 Pro strobes, set to 1/64 power. 12-inch reflectors 45-degree strobe… [Read More]
Fuji 45-100/4 vs 24-70/2.8 Nikkor S, Siemens star, part 3
This is part 3 of a comparison of he Fuji 45-100/4 on the GFX 100 with the 24-70/2.8 Nikkor S on the Z7 at 45mm, 63 mm, and 100mm for the Fuji lens, and 35mm, 50mm, and 70mm for the Nikkor. This post will look at the 70/100mm shots. Here’s the test scene, with the… [Read More]
Fuji 45-100/4 vs 24-70/2.8 Nikkor S, Siemens star, part 2
This is part 2 of a comparison of he Fuji 45-100/4 on the GFX 100 with the 24-70/2.8 Nikkor S on the Z7 at 45mm, 63 mm, and 100mm for the Fuji lens, and 35mm, 50mm, and 70mm for the Nikkor. This post will look at the 50/63mm shots. Here’s the test scene, with the… [Read More]
Fuji 45-100/4 vs 24-70/2.8 Nikkor S, Siemens star, part 1
The Fuji 45-100/4 that I’ve been testing for the last week is an incredible zoom. It is running very close to, and may surpass, the Fuji 32-64/4, which is the second-best zoom I’ve ever tested. The 24-70/2.8 Nikkor S is the best 24-70 full frame zoom I’ve tested. It seems natural to pit them against… [Read More]
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