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the last word

Photography meets digital computer technology. Photography wins -- most of the time.

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Continuous bracketing on the alpha 7 cameras

February 14, 2015 JimK Leave a Comment

Automatic bracketing is implemented on the Sony alpha 7 cameras as a shutter, or drive,  mode,.  There are two modes, continuous and single shot. If you use continuous mode, the raw (pre-compression) bit depth is changed from 13 bits to 12 bits, just like when the camera operates in continuous shutter mode without auto-bracketing. Here… [Read More]

The Last Word

Turning around

February 13, 2015 JimK Leave a Comment

There’s an exercise that used to be popular in landscape workshops. The instructor would have all the students line up on what they thought was the best — for them — image to be made at some location. He’d — and it usually was a he — would go around and look at the picture… [Read More]

The Last Word

Who are the rock-star sensor designers?

February 12, 2015 JimK 3 Comments

Digital image sensors are for the most part analog integrated circuits. Traditionally, analog ICs, and analog circuits in general, have been an area where a few highly-talented engineers made the breakthroughs and basked in the acclaim from their fellow engineers, if not necessarily becoming rich in the process. Everybody who knows a lot about hi-fi knows… [Read More]

The Last Word

Not too much celebrating

February 11, 2015 JimK Leave a Comment

I ended yesterday’s post on celebrating the process by wondering if I should really kick over the traces and go with a white background and lens/sun artifacts like this: Cooler heads have prevailed, and I’m liking this better: The process of selecting the right set of images for this picture was time consuming. It was… [Read More]

The Last Word

Celebrating the process

February 10, 2015 JimK 2 Comments

When you look closely at most oil paintings, you can see the brushstrokes, and thus the hand of the artist in the work. Many watercolorists leave the edges of their paintings ragged, putting down color where the scene demands it, but feeling no compunction to fill the entire rectangle with paint. Both elevate the work… [Read More]

The Last Word

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Articles

  • About
    • Patents and papers about color
    • Who am I?
  • How to…
    • Backing up photographic images
    • How to change email providers
    • How to shoot slanted edge images for me
  • Lens screening testing
    • Equipment and Software
    • Examples
      • Bad and OK 200-600 at 600
      • Excellent 180-400 zoom
      • Fair 14-30mm zoom
      • Good 100-200 mm MF zoom
      • Good 100-400 zoom
      • Good 100mm lens on P1 P45+
      • Good 120mm MF lens
      • Good 18mm FF lens
      • Good 24-105 mm FF lens
      • Good 24-70 FF zoom
      • Good 35 mm FF lens
      • Good 35-70 MF lens
      • Good 60 mm lens on IQ3-100
      • Good 63 mm MF lens
      • Good 65 mm FF lens
      • Good 85 mm FF lens
      • Good and bad 25mm FF lenses
      • Good zoom at 24 mm
      • Marginal 18mm lens
      • Marginal 35mm FF lens
      • Mildly problematic 55 mm FF lens
      • OK 16-35mm zoom
      • OK 60mm lens on P1 P45+
      • OK Sony 600mm f/4
      • Pretty good 16-35 FF zoom
      • Pretty good 90mm FF lens
      • Problematic 400 mm FF lens
      • Tilted 20 mm f/1.8 FF lens
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      • Two 15mm FF lenses
    • Found a problem – now what?
    • Goals for this test
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      • MFT
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    • Printable Siemens Star targets
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      • MFT
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    • Test instructions — postproduction
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    • Theory of the test
    • What’s wrong with conventional lens screening?
  • Previsualization heresy
  • Privacy Policy
  • Recommended photographic web sites
  • Using in-camera histograms for ETTR
    • Acknowledgments
    • Why ETTR?
    • Normal in-camera histograms
    • Image processing for in-camera histograms
    • Making the in-camera histogram closely represent the raw histogram
    • Shortcuts to UniWB
    • Preparing for monitor-based UniWB
    • A one-step UniWB procedure
    • The math behind the one-step method
    • Iteration using Newton’s Method

Category List

Recent Comments

  • bob lozano on The 16-Bit Fallacy: Why More Isn’t Always Better in Medium Format Cameras
  • JimK on Goldilocks and the three flashes
  • DC Wedding Photographer on Goldilocks and the three flashes
  • Wedding Photographer in DC on The 16-Bit Fallacy: Why More Isn’t Always Better in Medium Format Cameras
  • JimK on Fujifilm GFX 100S II precision
  • Renjie Zhu on Fujifilm GFX 100S II precision
  • JimK on Fuji 20-35/4 landscape field curvature at 23mm vs 23/4 GF
  • Ivo de Man on Fuji 20-35/4 landscape field curvature at 23mm vs 23/4 GF
  • JimK on Fuji 20-35/4 landscape field curvature at 23mm vs 23/4 GF
  • JimK on Fuji 20-35/4 landscape field curvature at 23mm vs 23/4 GF

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