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the last word

Photography meets digital computer technology. Photography wins -- most of the time.

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Lens character

March 5, 2015 JimK 3 Comments

This is a somewhat inconclusive set of musings about what photographers call lens character, or the way a lens draws. But before we get into that, I’d like to confess my biases. I’m an engineer by training, and I’ve spent most of my life either doing research, designing things, or managing others who do those… [Read More]

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Two more from Death Valley

March 4, 2015 JimK 2 Comments

Two that are a bit more whimsical than yesterday’s: And here’ are a few from Monday morning, back home:    

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Death Valley Days

March 3, 2015 JimK 5 Comments

I went to Death Valley for the weekend. I took an IR-modified Sony a7, and an unmodified a7II, plus three lenses: the Coastal Optical 60mm f/4, the Nikon 28mm f/1.4 D, and the Zony 35mm f/2.8 FE.  I ended up using the Nikon 28 on the IR camera almost all the time. I placed a… [Read More]

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D810 live view heating effects at 30 second exposures

February 27, 2015 JimK 6 Comments

A few days ago, I posted some graphs that indicated that using live view on the D810 had no material effect on dark-field noise at 1/2000 second shutter speeds. Yesterday, I repeated the tests at 1/30 second and 1 second shutter speeds, with similar results. I’ve received a request to do more testing at really long shutter speeds…. [Read More]

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D810 live view’s effect on dark-field noise, longer exposures

February 26, 2015 JimK 2 Comments

A few days ago, I posted some graphs that indicated that using live view on the D810 had no material effect on dark-field noise. Several people have expressed interest in seeing the test repeated at longer shutter speeds. I’ll repeat the protocol. In a 68-degree F (20 degrees Celsius) room, I set a D810 up in… [Read More]

The Last Word

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Articles

  • About
    • Patents and papers about color
    • Who am I?
  • How to…
    • Backing up photographic images
    • How to change email providers
    • How to shoot slanted edge images for me
  • Lens screening testing
    • Equipment and Software
    • Examples
      • Bad and OK 200-600 at 600
      • Excellent 180-400 zoom
      • Fair 14-30mm zoom
      • Good 100-200 mm MF zoom
      • Good 100-400 zoom
      • Good 100mm lens on P1 P45+
      • Good 120mm MF lens
      • Good 18mm FF lens
      • Good 24-105 mm FF lens
      • Good 24-70 FF zoom
      • Good 35 mm FF lens
      • Good 35-70 MF lens
      • Good 60 mm lens on IQ3-100
      • Good 63 mm MF lens
      • Good 65 mm FF lens
      • Good 85 mm FF lens
      • Good and bad 25mm FF lenses
      • Good zoom at 24 mm
      • Marginal 18mm lens
      • Marginal 35mm FF lens
      • Mildly problematic 55 mm FF lens
      • OK 16-35mm zoom
      • OK 60mm lens on P1 P45+
      • OK Sony 600mm f/4
      • Pretty good 16-35 FF zoom
      • Pretty good 90mm FF lens
      • Problematic 400 mm FF lens
      • Tilted 20 mm f/1.8 FF lens
      • Tilted 30 mm MF lens
      • Tilted 50 mm FF lens
      • Two 15mm FF lenses
    • Found a problem – now what?
    • Goals for this test
    • Minimum target distances
      • MFT
      • APS-C
      • Full frame
      • Small medium format
    • Printable Siemens Star targets
    • Target size on sensor
      • MFT
      • APS-C
      • Full frame
      • Small medium format
    • Test instructions — postproduction
    • Test instructions — reading the images
    • Test instructions – capture
    • Theory of the test
    • What’s wrong with conventional lens screening?
  • Previsualization heresy
  • Privacy Policy
  • Recommended photographic web sites
  • Using in-camera histograms for ETTR
    • Acknowledgments
    • Why ETTR?
    • Normal in-camera histograms
    • Image processing for in-camera histograms
    • Making the in-camera histogram closely represent the raw histogram
    • Shortcuts to UniWB
    • Preparing for monitor-based UniWB
    • A one-step UniWB procedure
    • The math behind the one-step method
    • Iteration using Newton’s Method

Category List

Recent Comments

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Unless otherwise noted, all images copyright Jim Kasson.