This is the second in a series of posts on the effect of camera resolution on the quality of downsampled images. The series starts here. In the previous post, we saw that downsampling a 12 megapixel image to 4K (3840×2160 pixels) resulted in greater chroma aliasing artifacts, a very slight increase in luminance aliasing artifacts,… [Read More]
Archives for 2019
Camera resolution and 4K viewing
For some time, there has been a strongly vocal body of opinion that the benefits of high-resolution cameras can improve even severely downsized presentations. For the purposes of this discussion, I’ll say that any camera with more than 42 MP is a high-resolution camera. With the advent of the Fuji GFX 100 and the Sony… [Read More]
Fuji GFX 100 IBIS performance with 32-64 mm zoom
This is one in a series of posts on the Fujifilm GFX 100. You should be able to find all the posts about that camera in the Category List on the right sidebar, below the Articles widget. There’s a drop-down menu there that you can use to get to all the posts in this series;… [Read More]
Sony a7RIV IBIS with the 35 mm f/1.4 Zony
This is one in a series of posts on the Sony alpha 7 R Mark IV (aka a7RIV). You should be able to find all the posts about that camera in the Category List on the right sidebar, below the Articles widget. There’s a drop-down menu there that you can use to get to all… [Read More]
Fuji GFX 100 IBIS at slow shutter speeds with the 110/2
This is one in a series of posts on the Fujifilm GFX 100. You should be able to find all the posts about that camera in the Category List on the right sidebar, below the Articles widget. There’s a drop-down menu there that you can use to get to all the posts in this series;… [Read More]
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