This is the fourth in a series of posts about the Fujifilm GFX 100S. If you look on the right side of this page, scroll down to the Categories section, and select GFX 100S from the dropdown list, you can see all the reviews. I made a series of dark-field images with the GFX 100S… [Read More]
Archives for March 2021
GFX 100S dark-field histograms
This is the third in a series of posts about the Fujifilm GFX 100S. If you look on the right side of this page, scroll down to the Categories section, and select GFX 100S from the dropdown list, you can see all the reviews. You can tell a lot about a camera without attaching a… [Read More]
GFX 100S shadow performance with 14 and 16 bit precision
This is the second in a series of posts about the Fujifilm GFX 100S. If you look on the right side of this page, scroll down to the Categories section, and select GFX 100S from the dropdown list, you can see all the reviews. When I tested the GFX 100, I found the 16-bit mode… [Read More]
Fujifilm GFX 100S Review
I received my GFX 100S today, and started testing. It bears a lot of similarity to the GFX 100, since it has the same sensor, but there are significant differences, so I’m creating a new category for it. If you look at the right hand column of this page, scroll down to the Categories section,… [Read More]
Adobe Super Resolution
Adobe has introduced a new feature in Camera Raw 13.2. They call it Super Resolution. I’ll call it SR here. SR is a demosaicing technique that produces an output image with twice the number of pixels as the raw file in both dimensions. That means the file as four times the number of pixels of… [Read More]
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