If you look at Bill Claff’s photographic dynamic range numbers, the D5 does better than the Z7 at extreme nosebleed ISO settings. There are some folks saying that’s not the case in the real world. I called my bookcase into service: Test protocol: RRS legs, C1 head Sigma 35/1.4 Art lens, directly attached to D5… [Read More]
4×5 Tmax 100 with a Nikon Z7, enhance details
In the last post, I showed you images that resulted from scanning 4×5 TMax 100 negatives with a Nikon Z7 in this setup: The results were good enough for excellent 17×22 inch prints, but there was more in the negative than the camera could resolve, which we saw by loking at better-quality scans using the… [Read More]
Scanning 4×5 Tmax 100 with a Nikon Z7
The last four posts have shown you the results of scanning one 4×5 TMax 100 negative with the GFX 100S. What happens if we try to use a lower resolution camera like the Nikon Z7? That’s what this post is about. Here’s the scanning setup with the Z7 attached: From left to right: Light source… [Read More]
Full frame fisheye on GFX 50R, Z7
Someone asked me if I knew of a full frame fisheye for the GFX. That would be about an 11 mm fisheye. I didn’t know of one, but I do have a Nikon 8-15 mm f/3.5-4.5E zoom fisheye. I mounted it to the GFX 50R with a Kipon F-to-G adapter, and set it to the… [Read More]
70-200/2.8 E vs S at 200mm, more quantitative
This is the twelfth in a series of posts about the Nikon 70-200 mm f/2.8 S lens for Nikon Z cameras. The series starts here. Yesterday, I told you about the quantitative differences that Imatest and I found between the Nikon 70-200 mm f/2.8 S and E lenses using a slanted edge and a Siemens… [Read More]
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