This is the third in a series of posts about the Nikon 70-200 mm f/2.8 S lens for Nikon Z cameras. The series starts here. So far, I’ve found out that with the Nikon 70-200 mm f/2.8S there’s about the same amount of light falloff wide open at 200 mm as there is with the… [Read More]
Nikon 70-200/2.8S vs 70-200/2.8E light falloff
This is the second in a series of posts about the Nikon 70-200 mm f/2.8 S lens for Nikon Z cameras. The series starts here. In the screening test I posted earlier today, the 70-200/2.8S showed significant light falloff wide open in the corners at 200 mm. I’ve received a couple of requests to compare… [Read More]
Nikon 70-200/2.8S screening test
I received the Nikon 70-200mm f/2.8 S lens for Zx cameras yesterday. First impressions: About the same size as the 70-200mm f/2.8E, but noticeably lighter. The traditional slide switches on the barrel are MIA, and their function is handled by menu selections in the camera; I don’t think this is a good move. Has the… [Read More]
How focus-bracketing systems work
I’ve done a lot of testing of the focus bracketing (Fujifilm’s name for it), and focus-shift shooting (Nikon’s) on the GFX 50S, the GFX 100, the Z7 and the D850. I expected that the users of these systems would be people who did focus bracketing or focus-shift stacking manually, and they wanted some way to… [Read More]
Fuji 23/4 on GFX 50R, 20/1.8 Nikkor S on Nikon Z7
A reader and landscape photographer, impressed by how well the 20 mm f/1.8 performs on the Nikon Z7, asked if he’d really be much better off with the Fuji 23 mm f/4 on a GFX 50x. Let’s take a look, with the Fuji lens on a GFX 50R. Here’s the scene, with both cameras at… [Read More]
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