Thanks to the viewing options available in today’s image editors, it’s easy to view images at extremely high magnification. Many people do that, just because they can. I ‘ve found, in my own work as well as others, that it can cause as many problems as it solves. For example, many people photograph flat detailed… [Read More]
A book report — on the press
This is part of a series about my experiences in publishing a book.The series starts here. Hemlock printed the book last week, in one long day. Not wanting to stop the press after they got things dialed in, they ran it from morning until midnight. I couldn’t be there because I was attending two weddings… [Read More]
A book report — printing scheduled
This is part of a series about my experiences in publishing a book.The series starts here. It’s been a long time between posts here.. So long, in fact, that I’ve begun receiving mail asking it I’m OK. I am indeed. However, I’ve been occupied. Many of you know that there’s been a large forest fire… [Read More]
Street photography strategies
This is a follow-on to my last post, which was about street photography: Technical aspects of street photography Today, I’ll talk about street photography at a higher level than the technical, but still not at the level of intent, vision, and aesthetics. There probably are more, but I’be employed the following broad strategies for street… [Read More]
Technical aspects of street photography
I’ve been participating in a discussion about gear for street photography. My position has been, and is, that you can do street photography with just about any gear, though some kinds of street work favor some kinds of gear. The discussion has broadened a bit beyond the – for me, not particularly interesting – subject… [Read More]
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