• site home
  • blog home
  • galleries
  • contact
  • underwater
  • the bleeding edge

the last word

Photography meets digital computer technology. Photography wins -- most of the time.

You are here: Home / GFX 100 / MTF50 and microcontrast of Fuji 35-70 GF

MTF50 and microcontrast of Fuji 35-70 GF

January 3, 2022 JimK 2 Comments

I finally got around to doing some quantitative tests on the Fuji 35-70 GF. This is the first of several posts with the results of those tests.

Here’s the test protocol:

  • RRS carbon fiber legs
  • C1 head
  • 35, 45, and 70 mm focal length
  • Target distance as per the table below
  • ISO 100
  • Electronic shutter
  • 10-second self timer
  • Wide open through f/11 in whole-stop steps
  • Exposure time set by in M mode so that exposure is the same for all stops
  • Focus bracketing, step size 1, 120 to 60 exposures
  • Initial focus well short of target
  • Convert RAF to DNG using Adobe DNG Converter
  • Extract raw mosaics with dcraw
  • Extract slanted edge for each raw plane in a Matlab program the Jack Hogan originally wrote, and that I’ve been modifying for years.
  • Analyze the slanted edges and produce MTF curves using MTF Mapper (great program; thanks, Frans)
  • Fit curves to the MTF Mapper MTF50 values in Matlab
  • Correct for systematic GFX focus bracketing inconsistencies
  • Analyze and graph in Matlab

MTF stands for modulation transfer function, and is a measure of how sharp a lens is. For the technically minded, it is the absolute value of the Fourier transform of the point spread function or the line spread function. For these tests, I used the line spread function, in two different orientations: near-horizontal and near-vertical. MTF50 is the frequency at which the contrast the lens can deliver drops to 50% of what it can do at low frequency. In this test, I measured MTF50 in cycles per picture height. Higher numbers are better.

Microcontrast is a different way of looking at MTF. It is the contrast available at some high frequency, in this case a quarter of a cycle per pixel. Higher numbers are better.

In a perfect lens, with a perfect test, the vertical and horizontal (or radial and tangential) values would be the same. The fact that they are slightly different on axis is an indication that the test is imperfect; there is noise, and there are some departures from the actual center of the image. The former can also apply to the edge readings, too, but it is more likely that lens aberrations such as astigmatism are causing those differences, which are larger than the on-axis deltas.

 

MTF50 on axis

 

MTF50 on the right edge

 

Microcontrast on axis

 

Microcontrast right edge

These are impressive numbers for a kit zoom. How impressive? Let’s compare the edge MTF50s to the well-respected 32-64 GF.

Short focal lengths

 

Middle focal lengths

 

Long focal lengths

 

The 35-70 MTF50s are in the ballpark of the 32-64 GF. which most of us would say is an excellent lens. The Siemens star and foliage visual tests revealed much the same thing.

 

GFX 100, GFX 100S, GFX 50S

← GF 35-70 and 32-64, foliage, corner Field curvature in the Fuji GF 35-70, part 2 →

Comments

  1. Stephen Lam says

    January 9, 2023 at 4:58 pm

    Great information for a decision on choosing the 35-70 vs 32-64mm.

    With the availability of the GF20-35mm f4 lens. I would be keen to see the MTF50 and micro contrast data for this new ultra zoom GF20-35mm lens.

    Reply

Trackbacks

  1. What is Resolution? | Strolls with my Dog says:
    May 8, 2024 at 9:31 am

    […] and lens by capturing slanted edges at home. 3. Jim Kasson’s excellent blog can be found here. 4.  Simulated images in this page should render accurately assuming an sRGB (or sGray) display […]

    Reply

Leave a Reply Cancel reply

Your email address will not be published. Required fields are marked *

May 2025
S M T W T F S
 123
45678910
11121314151617
18192021222324
25262728293031
« Apr    

Articles

  • About
    • Patents and papers about color
    • Who am I?
  • How to…
    • Backing up photographic images
    • How to change email providers
    • How to shoot slanted edge images for me
  • Lens screening testing
    • Equipment and Software
    • Examples
      • Bad and OK 200-600 at 600
      • Excellent 180-400 zoom
      • Fair 14-30mm zoom
      • Good 100-200 mm MF zoom
      • Good 100-400 zoom
      • Good 100mm lens on P1 P45+
      • Good 120mm MF lens
      • Good 18mm FF lens
      • Good 24-105 mm FF lens
      • Good 24-70 FF zoom
      • Good 35 mm FF lens
      • Good 35-70 MF lens
      • Good 60 mm lens on IQ3-100
      • Good 63 mm MF lens
      • Good 65 mm FF lens
      • Good 85 mm FF lens
      • Good and bad 25mm FF lenses
      • Good zoom at 24 mm
      • Marginal 18mm lens
      • Marginal 35mm FF lens
      • Mildly problematic 55 mm FF lens
      • OK 16-35mm zoom
      • OK 60mm lens on P1 P45+
      • OK Sony 600mm f/4
      • Pretty good 16-35 FF zoom
      • Pretty good 90mm FF lens
      • Problematic 400 mm FF lens
      • Tilted 20 mm f/1.8 FF lens
      • Tilted 30 mm MF lens
      • Tilted 50 mm FF lens
      • Two 15mm FF lenses
    • Found a problem – now what?
    • Goals for this test
    • Minimum target distances
      • MFT
      • APS-C
      • Full frame
      • Small medium format
    • Printable Siemens Star targets
    • Target size on sensor
      • MFT
      • APS-C
      • Full frame
      • Small medium format
    • Test instructions — postproduction
    • Test instructions — reading the images
    • Test instructions – capture
    • Theory of the test
    • What’s wrong with conventional lens screening?
  • Previsualization heresy
  • Privacy Policy
  • Recommended photographic web sites
  • Using in-camera histograms for ETTR
    • Acknowledgments
    • Why ETTR?
    • Normal in-camera histograms
    • Image processing for in-camera histograms
    • Making the in-camera histogram closely represent the raw histogram
    • Shortcuts to UniWB
    • Preparing for monitor-based UniWB
    • A one-step UniWB procedure
    • The math behind the one-step method
    • Iteration using Newton’s Method

Category List

Recent Comments

  • JimK on Goldilocks and the three flashes
  • DC Wedding Photographer on Goldilocks and the three flashes
  • Wedding Photographer in DC on The 16-Bit Fallacy: Why More Isn’t Always Better in Medium Format Cameras
  • JimK on Fujifilm GFX 100S II precision
  • Renjie Zhu on Fujifilm GFX 100S II precision
  • JimK on Fuji 20-35/4 landscape field curvature at 23mm vs 23/4 GF
  • Ivo de Man on Fuji 20-35/4 landscape field curvature at 23mm vs 23/4 GF
  • JimK on Fuji 20-35/4 landscape field curvature at 23mm vs 23/4 GF
  • JimK on Fuji 20-35/4 landscape field curvature at 23mm vs 23/4 GF
  • Ivo de Man on Fuji 20-35/4 landscape field curvature at 23mm vs 23/4 GF

Archives

Copyright © 2025 · Daily Dish Pro On Genesis Framework · WordPress · Log in

Unless otherwise noted, all images copyright Jim Kasson.