Recently I’ve seen two kinds of posts that share the same fundamental flaw. This is not the first time I’ve seen either of these mental errors in action, and I’m sure it won’t be the last. I’ve had a hard time getting some of the people making the errors to see what’s wrong with their… [Read More]
Chronography video up
I was supposed to give a lecture on the Chronography exhibition that I think is still hanging at the Monterey Museum of Art, but Covid-19 intervened and I had to cancel it. As s sort of substitute, I took my PowerPoint slides and narrated about what I would have said into Adobe Audition, then put… [Read More]
A new series
Some of you have noted that I haven’t posted in a while, and have asked about my health. I’m fine. Well, I’m fine physically, but I’m worried about what’s ahead, as I’m sure many of you are. I have been working on a video version of the Chronography lecture I was going to give at… [Read More]
Sony a7RIV continuous drive mode precision
A reader asked a question about the Sony a7RIV. I have a question for clarification. You use the terms “continuous mode,” “continuous compressed,” and “continuous uncompressed.” When I read the Sony A7Riv instruction manual (p.42) it uses the words “Continuous Shooting” to represent 4 different shooting speeds: “Continuous Shooting: Hi+,” “Continuous Shooting: Hi,” “Continuous Shooting:… [Read More]
Fuji 23/4 on GFX 50R, 20/1.8 Nikkor S on Nikon Z7
A reader and landscape photographer, impressed by how well the 20 mm f/1.8 performs on the Nikon Z7, asked if he’d really be much better off with the Fuji 23 mm f/4 on a GFX 50x. Let’s take a look, with the Fuji lens on a GFX 50R. Here’s the scene, with both cameras at… [Read More]
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