I recently had an interesting discussion about raw precision and dithering with a person who works for a high-end camera retailer. We kept talking past each other. I’d start talking about read noise and the various studies – including my own – that attempted to quantify how much dither is adequate. He’d say that 16-bit… [Read More]
Format size and image quality
The format rhetoric seems to be heating up again. Maybe it never cooled off. In the last 7 or 8 years, I’ve owned and made many images with APS-C (with crop factors between 1.3 and 1.5), full frame (FF), and 33×44 (MF, or crop MF, depending on your level of precision – and maybe your… [Read More]
Bill Claff’s GFX 100 analyses
This is the third in a series of posts on the Fuji GFX 100. The first one is here. Neither of these posts are actual tests of the camera, because I don’t have mine yet; my dealer expects it at the end of the month. Yesterday, Bill Claff posted some analyses of a prototype GFX… [Read More]
Fuji GFX 100 pulchritude, or lack of it
This is the second in a series of posts on the Fuji GFX 100. The first one is here. Sadly, neither of these posts are actual tests of the camera, because I don’t have mine yet. These posts are more in the nature of setting things up and having something to occupy myself while I… [Read More]
GFX 100 questions
I am eagerly awaiting a GFX 100, mostly because I want to dig into its inner workings. Of course, when I’m not testing it I’ll put the 120/4 macro on it and use it for my Spots on my Apples ongoing series — for that, there’s no such thing as too much resolution. Here are… [Read More]
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