This is one in a series of posts on the Fujifilm GFX 100. You should be able to find all the posts about that camera in the Category List on the right sidebar, below the Articles widget. There’s a drop-down menu there that you can use to get to all the posts in this series; just look for “GFX 100”.
One of the lessons of the last post was, to me at least, that although the GFX 100 images aren’t in one sense sharper than the GFX 50R ones, they are more detailed and have fewer artifacts. This post will explicily focus on aliasing with the two cameras and the Fuji 110 mm f/2 lens, used at f/4.
Here’s the test scene, as seen with the GFX 100:
Down we’ll look at two crops with the same angle of view:
Several things are clear:
- The GFX 100 can record finer detail before it starts to alias (It would be amazing if this were not true).
- The aliasing is most striking with the GFX 50r
- The false color is worse with the GFX 50R