This is part of a long series of posts about the Sony a6300. The series starts here. In the post before the last one, I showed a kink in the noise vs ISO setting curve for the a6300 that occurred at high ISO I suspected digital signal processing, specifically, low-pass filtering. The way to detect… [Read More]
Sony a6300 — high ISO shadow color casts
This is part of a long series of posts about the Sony a6300. The series starts here. We saw in the a7RII testing that the compressed raw files, but not the uncompressed ones, exhibited a slight shift in the black point at higher ISOs. In that camera, the shift was not independent of color plane,… [Read More]
Sony a6300 — RN vs ISO
Thie is the first in a series of posts about the Sony alpha 6300, aka a6300. The best way to navigate to all the other posts in the series is to scroll down to the bottom of this post — below the comments — and there you’ll find pingbacks to the other posts in the… [Read More]
Another medium tele test — conclusion
This is the conclusion of a test of the following lenses on the Sony a7RII: Zeiss 85mm f/1.8 Batis. Zeiss 85mm f/1.4 Otus. Leica 90mm f/2 Apo Summicron-M ASPH. AF-S Nikkor 85mm f/1.4 G. Sony 90mm f/2.8 FE Macro. The test starts here. It’s been a long journey, and there are some loose ends that… [Read More]
The best focal lengths for landscapes
I’m not a believer in photographic boxes or restrictions, but I was intrigued by the question, “What is the prototypical focal length for landscapes?” Just to calibrate myself, I went through all 40 images in Ansel Adams’ Examples. I threw out the ones the weren’t landscapes (surprisingly, there were a lot of those), and the one or… [Read More]
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