This is the 49th in a series of posts on the Fujifilm GFX-50S. The series starts here. We saw at this beginning of this series of tests that the Nikon 16 mm full frame fisheye didn’t work on the GFX because of its built in lens hood. Neither does the Zeiss 15 mm f/2.8 ZF.2,… [Read More]
Archives for 2017
Sigma ART 24/1.4 on Fujifilm GFX 50S
This is the 48th in a series of posts on the Fujifilm GFX-50S. The series starts here. I still don’t have a lot of wide options for the GFX. The HC 35 works pretty well, but it’s a big, heavy thing. I thought I’d try the Sigma ART 24 mm f/1.4. All images were refocused at… [Read More]
Sigma ART 50/1.4 on Fujifilm GFX 50S
This is the 47th in a series of posts on the Fujifilm GFX-50S. The series starts here. I’m starting to get to the end of the GFX testing, at least for now. I have Leica M, Hasselblad V, and Leica R adapters on order, and I’ll do some testing with lenses from those families when… [Read More]
Fuji 120/4 Macro at 1:2 on GFX: LoCA and focus shift
This is the 46th in a series of posts on the Fujifilm GFX-50S. The series starts here. I’ve been asked to run the same focus shift and longitudinal chromatic aberration (LoCA) tests that I did at 1 meter on the Fuji 120 mm f/4 macro lens for the Fujifilm GFX 50S, but at a closer… [Read More]
Mitigating lighting banding in GFX ES images
This is the 45th in a series of posts on the Fujifilm GFX-50S. The series starts here. The GFX offers an all-electronic shutter, which Fuji calls ES in the menus. I’ll do the same here. We have seen here that the shutter takes 1/4 second to complete an exposure. This can cause horizontal bands (in landscape… [Read More]
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