In the previous post, I compared the Nikon Z7 and D5 noise under extremely low light conditions. I turned of noise reduction for that series. Now I’ll show you a set of images with LrC default noise reduction. If you look at Bill Claff’s photographic dynamic range numbers, the D5 does better than the Z7… [Read More]
Nikon D5 and Z7 shadow noise under extreme conditions, repeated
In the previous post, I made a comparison of the Z7 and the D5 in extreme low light. I used AF-S, and the Z7 pictures weren’t a sharp as the D5 ones. So I’m repeating the test using manual focusing. If you look at Bill Claff’s photographic dynamic range numbers, the D5 does better than… [Read More]
Nikon D5 and Z7 shadow noise under extreme conditions
If you look at Bill Claff’s photographic dynamic range numbers, the D5 does better than the Z7 at extreme nosebleed ISO settings. There are some folks saying that’s not the case in the real world. I called my bookcase into service: Test protocol: RRS legs, C1 head Sigma 35/1.4 Art lens, directly attached to D5… [Read More]
4×5 Tmax 100 with a Nikon Z7, enhance details
In the last post, I showed you images that resulted from scanning 4×5 TMax 100 negatives with a Nikon Z7 in this setup: The results were good enough for excellent 17×22 inch prints, but there was more in the negative than the camera could resolve, which we saw by loking at better-quality scans using the… [Read More]
Scanning 4×5 Tmax 100 with a Nikon Z7
The last four posts have shown you the results of scanning one 4×5 TMax 100 negative with the GFX 100S. What happens if we try to use a lower resolution camera like the Nikon Z7? That’s what this post is about. Here’s the scanning setup with the Z7 attached: From left to right: Light source… [Read More]
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