I have written many posts about managing depth of field (DOF). I have related DOF to modulation transfer function, and developed a way to deal with it from that perspective. I have written a DOF optimizer program that balances the effects of geometrical DOF, diffraction, and capture pixel blur. I have explained how focus stacking… [Read More]
Fujifilm GFZ 100S pixel shift with the 110/2
This is one in a series of posts on the Fujifilm GFX 100S. You should be able to find all the posts about that camera in the Category List on the right sidebar, below the Articles widget. There’s a drop-down menu there that you can use to get to all the posts in this series;… [Read More]
GFX 100S 16-bit dark-field histograms
This is one in a series of posts on the Fujifilm GFX 100S. You should be able to find all the posts about that camera in the Category List on the right sidebar, below the Articles widget. There’s a drop-down menu there that you can use to get to all the posts in this series;… [Read More]
Adobe Super Resolution
Adobe has introduced a new feature in Camera Raw 13.2. They call it Super Resolution. I’ll call it SR here. SR is a demosaicing technique that produces an output image with twice the number of pixels as the raw file in both dimensions. That means the file as four times the number of pixels of… [Read More]
Diffraction and sensors
A couple of days ago, a poster on the DPR MF board made a remarkable claim in response to speculation about a 100 MP X-series Hasselblad. One word, diffraction. The X1DII and X1D doesn’t have, none or perhaps very little that I’ve noticed anyway. As you might expect, I challenged that assertion: Lenses suffer from… [Read More]
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