The Fujifilm 32-64/4 is a great lens. Up until a few days ago, I said it’s the second-best zoom I’ve ever tested, bested only by the Nikon 180-400/4, which is playing in a different league in both focal length and price. Since there is so much overlap between the ranges of the 32-64 and the… [Read More]
Fuji 45-100/4 on GFX 100 — screening
The new Fujifilm 45-100 mm f/4 R LM OIS WR (hereafter yclept the 45-100/4) arrived today. I performed my usual lens screening test. Here’s the scene, at 60 mm. I moved the target as I changed focal lengths. Target distance varied between 28 and 40 meters. I made the exposures with the following setup: The… [Read More]
Optical low-pass filters and the Fuji GFX 50S and 50R
This is the fifth post on balancing real and fake detail in digital images. The series starts here. In the last post, I looked at what advantages would obtain if the Fuji GFX 100 and the Sony a7RIV had an optical low-pass anti-aliasing filter (OLPF or AA filter). It seems to me that those cameras… [Read More]
Optical low-pass filters and high-resolution cameras
This is the fourth post on balancing real and fake detail in digital images. The series starts here. A reader asked me to look into the effects of optical low-pass filters (OLPFs) on sub-Nyquist sharpness and aliasing. It was an interesting exercise for me, and I hope you’ll be interested in the results. Such filters… [Read More]
No D6 review in the works
I’ve received some queries about a future Nikon D6 review. I thought hard about doing one, and I’ve decided to take a pass on the D6. The improvements over the D5 seem modest at best, and I’m not particularly interested in the AF improvements, which are probably the most significant ones in the new camera…. [Read More]
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