This is the third post in a series about the Leica Q2 Monochrom. You can see all the other posts in the series by looking in the Category List drop-down menu on the right side of the page. Some people who read yesterday’s post asked about differences between the GFX 50S and the Leica Q2… [Read More]
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Leica Q2 Monochrom vs GFX 50S — Siemens star
This is the second post in a series about the Leica Q2 Monochrom. You can see all the other posts in the series by looking in the Category List drop-down menu on the right side of the page. Aside from the one-stop increase in speed, which is undisputable, the putative advantage of monochrome capture is… [Read More]
CV, Leica, Zeiss, and Sigma macro lenses on GFX 100
This is one in a series of posts on the Fujifilm GFX 100. You should be able to find all the posts about that camera in the Category List on the right sidebar, below the Articles widget. There’s a drop-down menu there that you can use to get to all the posts in this series;… [Read More]
Leica 90/2 Apo-Summicron ASPH-M on GFX 50S
The M-mount Leica 90 mm f/2 Apo-Summicron is a special lens. Almost as expensive as the Otus 85/1.4, it doesn’t quite measure up to the Zeiss lens in the standard lens quality metrics. But in spite of — probably because of — its optical deficiencies, it does a superb job of rendering some things. In… [Read More]
Leica 280/4 Apo-Telyt R at 950 nm on GFX 50R
I tested my LifePixel-modified (720 nm option) Fujifilm GFX 50R with the Leica 280 mm f/4 Apo-Telyt R lens and a 950 nm lowpass filter. I added a +100 contrast boost in Lightroom. Poor coverage, no hotspots. Still has corner vignetting. No hotspots. A little bit of corner vignetting. No hotspots. No corner vignetting. No… [Read More]
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