This is one in a series of posts on the Nikon Z7. You should be able to find all the posts about that camera in the Category List on the right sidebar, below the Articles widget. There’s a drop-down menu there that you can use to get to all the posts in this series; just… [Read More]
Search Results for: color space conversion
Metrics for evaluating raw color conversions
This is the 21st in a series of posts on color reproduction. The series starts here. I’ve spent most the last week writing Matlab code to automate the Macbeth chart measurements that I came up with earlier, and also adding some new ones. My goal here is to provide numeric and visual measures of how… [Read More]
Macbeth CC, Illuminants, & output color spaces
This is the eighteenth in a series of posts on color reproduction. The series starts here. You don’t have to read the whole thing if you don’t want to. I’ll try to make this post reasonably self-contained. If you get confused, reading the series from the beginning may be useful. Warning. This post assumes a… [Read More]
a7RII/Lr ASP, C1 generic auto 6000K color accuracy
This is the thirteenth in a series of posts on color reproduction. The series starts here. In the title, a7RII stands for the Sony alpha 7R Mark II. Lr stands for Lightroom. C1 stands for Capture 1. ASP stands for Adobe Standard Profile. Alpha Photo, a DPR contributor, performed the Capture one conversion for me,… [Read More]
A book report: color managment
This is post three in a series about my experiences in publishing a book. The series starts here. In the 90s, when I was working at IBM as a color scientist with a special interest in color management, I worked with engineers from Kodak, Adobe, Xerox PARC, Apple, and hp on what we called in… [Read More]
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