In my last post, I showed you results obtained by scanning TMax 100 6×6 (cm) negatives with the GFX 100S both with and without pixel shifting. Today, I’ll do the same with 4×5 (inch) negatives. Here’s the “scanner”. From left to right: light source, negative carrier on Cognisys rail, lens shade, Rodenstock HR Digarono 105… [Read More]
What pitch do you need to scan 6×6 TMax 100?
I’ve been scanning up a storm with my new home-brew GFX 100S scanner. I’ve been getting what I consider to be good scans — certainly as good as I was able to get with my now abandoned-and-unsupported-by-the-factory Imacon Precision III. But I wondered if I could get better ones if I used the GFX 100S… [Read More]
Poor man’s C1 Cube?
I saw an ad for a 500 buck small geared tripod head that looked a lot like an Arca Swiss C1 Cube. I bit. Here’s what it looks like next to the C1: It appears to be reasonably well built, but there’s no yaw possible below the pitch and roll axes. It needs to be… [Read More]
Amp glow in Fujifilm GFX 50S Mark I and II
A reader saw something that looked like amp glow on dark-field photographs with his new GFX 50S II. I asked for raw files in the three mains shutter modes: mechanical shutter (MS), electronic first-curtain shutter (EFCS), and electronic shutter (ES). At my request, the exposures were made at ISO 1600 at 1/10 second. I had… [Read More]
GFX 100S scanned images at 100%
I’ve received a request for crops at 100% magnification of some of the images that I showed you in the last post. Here they are, together with the whole frames. Note that the JPEG compression used on this site will obscure details.
- « Previous Page
- 1
- …
- 58
- 59
- 60
- 61
- 62
- …
- 572
- Next Page »