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You are here: Home / Archives for GFX 50S

Fuji 45-100/4 vs 110/2, Siemens star

February 27, 2020 JimK 2 Comments

I’ve tested the Fujifilm 45-100 mm f/4 against two other Fuji GFX zooms, the 32-64/4 and the 100-200/5.6. In this and the two posts after it, I’ll be comparing the lens to the Fuji 45/2.8, 63/2.8, and 110/2. I’m doing the 110/2 in this post, and testing it against the 45-100 at f/4, f/5.6 and… [Read More]

GFX 100, GFX 50S

Fuji 45-100/4 focal length vs distance

February 27, 2020 JimK 4 Comments

In my last post, I did a quick-and-dirty calculation of the focal length of the Fuji 45-100 mm f/4 G-mount lens when the nominal focal length was set to 100 mm. I got about 80 mm at 3 feet. There is an accurate method of measuring the focal length of lenses that was, if not… [Read More]

GFX 100, GFX 50S

Fuji 45-100/4 focal length changes with distance

February 24, 2020 JimK 4 Comments

In the previous test, I was surprised to find that the focal length of the Fujifilm 45-100 mm f/4 at close range seemed to be more than 10% shorter than the Fuji 110 mm f/2. It could be that the marked focal lengths weren’t accurate on one or both of the lenses. Or it could… [Read More]

GFX 100, GFX 50S

Fuji 45-100/4 and 110/2 bottle bokeh

February 24, 2020 JimK Leave a Comment

I’m hoping the title made the oenophiles reading this blog chuckle a bit. In the last post, I took a technical look at the out-of-focus performance of the Fujifilm 45-100 mm f/4 lens, and found it substantially inferior to that of the Fuji 110 mm f/2. Do these differences carry over into real-world shooting? This… [Read More]

GFX 100, GFX 50S

Fuji 45-100/4 bokeh and out-of-focus performance

February 23, 2020 JimK 2 Comments

I’ve had some questions about the bokeh of the Fujifilm 45-100 mm f/4. There are two aspects to bokeh. The first is relatively simple: how do the far-out-of-focus point spread functions (PSFs) vary across the frame, and what it their nature? That’s what determines the bokeh characteristics of the background on a wide-open, close-range portrait…. [Read More]

GFX 100, GFX 50S

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Articles

  • About
    • Patents and papers about color
    • Who am I?
  • How to…
    • Backing up photographic images
    • How to change email providers
    • How to shoot slanted edge images for me
  • Lens screening testing
    • Equipment and Software
    • Examples
      • Bad and OK 200-600 at 600
      • Excellent 180-400 zoom
      • Fair 14-30mm zoom
      • Good 100-200 mm MF zoom
      • Good 100-400 zoom
      • Good 100mm lens on P1 P45+
      • Good 120mm MF lens
      • Good 18mm FF lens
      • Good 24-105 mm FF lens
      • Good 24-70 FF zoom
      • Good 35 mm FF lens
      • Good 35-70 MF lens
      • Good 60 mm lens on IQ3-100
      • Good 63 mm MF lens
      • Good 65 mm FF lens
      • Good 85 mm FF lens
      • Good and bad 25mm FF lenses
      • Good zoom at 24 mm
      • Marginal 18mm lens
      • Marginal 35mm FF lens
      • Mildly problematic 55 mm FF lens
      • OK 16-35mm zoom
      • OK 60mm lens on P1 P45+
      • OK Sony 600mm f/4
      • Pretty good 16-35 FF zoom
      • Pretty good 90mm FF lens
      • Problematic 400 mm FF lens
      • Tilted 20 mm f/1.8 FF lens
      • Tilted 30 mm MF lens
      • Tilted 50 mm FF lens
      • Two 15mm FF lenses
    • Found a problem – now what?
    • Goals for this test
    • Minimum target distances
      • MFT
      • APS-C
      • Full frame
      • Small medium format
    • Printable Siemens Star targets
    • Target size on sensor
      • MFT
      • APS-C
      • Full frame
      • Small medium format
    • Test instructions — postproduction
    • Test instructions — reading the images
    • Test instructions – capture
    • Theory of the test
    • What’s wrong with conventional lens screening?
  • Previsualization heresy
  • Privacy Policy
  • Recommended photographic web sites
  • Using in-camera histograms for ETTR
    • Acknowledgments
    • Why ETTR?
    • Normal in-camera histograms
    • Image processing for in-camera histograms
    • Making the in-camera histogram closely represent the raw histogram
    • Shortcuts to UniWB
    • Preparing for monitor-based UniWB
    • A one-step UniWB procedure
    • The math behind the one-step method
    • Iteration using Newton’s Method

Category List

Recent Comments

  • JimK on Goldilocks and the three flashes
  • DC Wedding Photographer on Goldilocks and the three flashes
  • Wedding Photographer in DC on The 16-Bit Fallacy: Why More Isn’t Always Better in Medium Format Cameras
  • JimK on Fujifilm GFX 100S II precision
  • Renjie Zhu on Fujifilm GFX 100S II precision
  • JimK on Fuji 20-35/4 landscape field curvature at 23mm vs 23/4 GF
  • Ivo de Man on Fuji 20-35/4 landscape field curvature at 23mm vs 23/4 GF
  • JimK on Fuji 20-35/4 landscape field curvature at 23mm vs 23/4 GF
  • JimK on Fuji 20-35/4 landscape field curvature at 23mm vs 23/4 GF
  • Ivo de Man on Fuji 20-35/4 landscape field curvature at 23mm vs 23/4 GF

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