For some time, there has been a strongly vocal body of opinion that the benefits of high-resolution cameras can improve even severely downsized presentations. For the purposes of this discussion, I’ll say that any camera with more than 42 MP is a high-resolution camera. With the advent of the Fuji GFX 100 and the Sony… [Read More]
Search Results for: resampling
Pixel shift in the Sony a7RIV
This is one in a series of posts on the Sony alpha 7 R Mark IV (aka a7RIV). You should be able to find all the posts about that camera in the Category List on the right sidebar, below the Articles widget. There’s a drop-down menu there that you can use to get to all… [Read More]
Megapixels, smart resizing, and printing — viewing distance and printer considerations
While not directly about the camera, this is one in a series of posts that relates to the Nikon Z6. You should be able to find all the posts about that camera in the Category List on the right sidebar, below the Articles widget. There’s a drop-down menu there that you can use to get… [Read More]
IQ effects of Photoshop distortion correction
In the last couple of posts, I looked at the image quality (IQ) effects of Lightroom distortion correction with the Sony 12-24/4 lens on the a7RII, and the Fuji 23/4 lens on the GFX 50S. I found remarkably little in the way of unwanted action. A reader asked me about performing distortion correction in Photoshop… [Read More]
IQ effects of Fuji 23/4 distortion corrections
This is the 71st in a series of posts on the Fujifilm GFX-50S. The series starts here. In the last post, I showed you some images with Lightroom’s distortion correction enabled and disabled for the Sony 12-24/4 FE lens. Several people had expressed the opinion that correcting distortion in wide rectilinear lenses in post should… [Read More]
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