This is the sixth in a series of posts on the Fujifilm GFX-50S. The series starts here. From the mailbag: I am so pleased that you are testing the Fuji. [Embarrassingly generous compliment removed] I am considering getting the camera, in part to use for my f-mount Otus 55mm and 135mm APO, in part as a… [Read More]
Hassselblad 150/3.2 on Fujiflim GFX-50S
This is the fourth in a series of posts on the Fujifilm GFX-50S. The series starts here. Fuji makes an adapter so that you can use Hasselblad (and Fuji) H-mount lenses on the GFX. As as aside, I note that both lines of lenses are made by Fuji. The adapter does not provide for autofocus, but… [Read More]
Don’t use Lr/ACR histograms to judge raw file exposure
I have long argued that the best way to judge the exposure of a raw file is by looking at the raw data, so the title of this post should come as no surprise. However, I have recently been looking at a raw file that demonstrates this to an extent that surprised me, and I… [Read More]
No GFX review any time soon
I had been looking forward to reviewing the Fuji GFX 50s. It seemed like a logical step up from the a7RII, and the Sony 50MP sensor, although lacking the Aptina DR-pix technology, was well proven and respected, having been used for a couple of years in Phase One, Hasselblad, and Pentax cameras. I was a… [Read More]
Mitakon Zhongyi Speedmaster 50mm f/0.95
I’ve always been a bit fascinated by superspeed fifties. The variants of the Leica M-mount 50 mm f/0.95. The Nikkor-N 5 cm f/1.1. They have a certain look that’s captivating. I’ve never owned one. The closest I’ve come are the Canon f/1.2 AF lenses. They didn’t have that look. But the exotic superspeed glass has… [Read More]
- « Previous Page
- 1
- …
- 84
- 85
- 86
- 87
- 88
- …
- 380
- Next Page »